Raimundo de Madrazo y Garreta

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 Raimundo de Madrazo y Garreta Piknik oil painting artist
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  Piknik
circa 1931(1931) Medium oil on canvas Dimensions 44 X 62.8 cm cyf

 Raimundo de Madrazo y Garreta Florentika oil painting artist
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INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 

  Florentika
1930(1930) Medium oil on canvas Dimensions 96.7 X 63.4 cm cyf

 Raimundo de Madrazo y Garreta Toskanski motiv I oil painting artist
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     Toskanski motiv I
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INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 

  Toskanski_motiv_I
circa 1930(1930) Medium oil on canvas Dimensions 56.3 X 46.1 cm cyf

 Raimundo de Madrazo y Garreta Toskanski motiv III oil painting artist
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     Toskanski motiv III
     new26/Raimundo de Madrazo y Garreta-739764.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 

  Toskanski_motiv_III
circa 1930(1930) Medium oil on canvas Dimensions 48.7 X 60.9 cm cyf

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     Raimundo_de_Madrazo_y_Garreta
    Spanish realist Painter , 1841-1920 Son of Federico de Madrazo y K?ntz. Because of his ability and training with his father, Federico, in the Real Academia de S Fernando in Madrid and with L?on Cogniet in Paris, he seemed destined to continue the family tradition of academic painting. However, due to the influence of the Belgian Alfred Stevens, of his brother-in-law, Mariano Jos? Bernardo Fortuny y Marsal, and the Parisian environment, he exchanged dry historical painting (e.g. Arrival in Spain of the Body of the Apostle St James, 1858, and Ataulfo, 1860) for the preciousness of the tableautin, the small, intimate genre painting. He lived in Paris and New York and became so remote from Spanish artistic life that he and Fortuny y Marsal were the only Spanish artists not to participate in any national exhibition, and because of this the Spanish state never directly acquired their works. In 1882, with Giuseppe De Nittis, Stevens and the gallery owner Georges Petit, he co-founded the Exposition Internationale de Peinture, designed to promote foreign artists in Paris. Madrazo Garreta's most characteristic works are the female portrait and the witty and elegant genre painting, with soft, delicate tones and suggestive poses. The influence of the Rococo and of Japanese art is reflected in his painting, which expresses an exquisite aristocratic or bourgeois ideal, the illusion of a refined, sensual and superficial life. Consequently,

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