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Gorgonenhaupt
new25/Wilhelm Trubner-564778.jpg
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Gorgonenhaupt
Date 1891(1891)
Medium Oil on paperboard
Dimensions 58 x 43,5 cm
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Frau am Chiemsee
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Frau_am_Chiemsee
1891(1891)
Medium Oil on wood
Dimensions 37,2 x 26 cm
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Dame in Grau
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Dame_in_Grau
1876(1876)
Medium oil on canvas
Dimensions 106 x 93 cm
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Bootssteg auf der Herreninsel im Chiemsee
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Bootssteg_auf_der_Herreninsel_im_Chiemsee
1874(1874)
Medium oil on canvas
Dimensions 41 x 56 cm
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Einfahrtsweg zum Stift Neuburg
new25/Wilhelm Trubner-359345.jpg
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Einfahrtsweg_zum_Stift_Neuburg
1913(1913)
oil on canvas
Dimensions 61,7 x 76,6 cm
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Wilhelm_Trubner
German, 1851-1917
was a German realist painter of the circle of Wilhelm Leibl. Trubner was born in Heidelberg and had early training as a goldsmith. In 1867 he met classicist painter Anselm Feuerbach who encouraged him to study painting, and he began studies in Karlsruhe under Fedor Dietz. The next year saw him studying at the Kunstacademie in Munich, where he was to be greatly impressed by an international exhibition of paintings by Leibl and Gustave Courbet. Courbet visited Munich in 1869, not only exhibiting his work but demonstrating his alla prima method of working quickly from nature in public performances. This had an immediate impact on many of the city's young artists, who found Courbet's approach an invigorating alternative to the shopworn academic tradition. The early 1870s were a period of discovery for Tr??bner. He travelled to Italy, Holland and Belgium, and in Paris encountered the art of Manet, whose influence can be seen in the spontaneous yet restrained style of Trubner's portraits and landscapes. During this period he also made the acquaintance of Carl Schuch, Albert Lang and Hans Thoma, German painters who, like Trubner, greatly admired the unsentimental realism of Wilhelm Leibl. This group of artists came to be known as the "Leibl circle". He published writings on art theory in 1892 and 1898, which express above all the idea that "beauty must lie in the painting itself, not in the subject". By urging the viewer to discover beauty in a painting's formal values, its colors, proportions, and surface, Trubner advanced a philosophy of "art for art's sake".
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