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Niccolo Mauruzi da Tolentino at the Battle of San Romano,
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Niccolo_Mauruzi_da_Tolentino_at_the_Battle_of_San_Romano,
Paolo Uccello. Niccol?? Mauruzi da Tolentino at the Battle of San Romano, c. 1438?C1440. Egg tempera with walnut oil and linseed oil on poplar. 181.6 x 320 cm. London: National Gallery.
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The Princess and the Dragon,
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The_Princess_and_the_Dragon,
The Princess and the Dragon, Paolo Uccello, c. 1470, a classic image of a damsel in distress.
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A scene in Paolo Uccello Corpus Domini predella
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A_scene_in_Paolo_Uccello_Corpus_Domini_predella
A scene in Paolo Uccello's Corpus Domini predella (c. 1465-1468), set in a Jewish pawnbroker's home. Blood in the background emanates from the Host, which the moneylender has attempted to cook, and seeps under the door. This story first entered the Italian literary tradition via Giovanni Villani (c. 1280?C1348) and his Nuova Cronica.
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Portion of Paolo Uccello The Hunt
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Portion_of_Paolo_Uccello_The_Hunt
Portion of Paolo Uccello's The Hunt (Ashmolean Museum)
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paolo_uccello
(b Florence, c. 1397; d Florence, 10 Dec 1475). Italian painter, draughtsman, mosaicist and designer of stained glass. His work vividly illustrates the principal issues of Florentine art during the first half of the 15th century. Trained within the tradition of the Late Gothic style, he eventually became a leading exponent of the application of linear perspective based on the mathematical system established by Filippo Brunelleschi and Leon Battista Alberti. It is the merging of these two diametrically opposed tendencies that forms the basis of Uccello's style. As well as painting on panel and in fresco (many of his works in this medium have been severely damaged), he was also a master mosaicist and produced designs for stained glass.
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