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Woman by the Water
new24/Bela Ivanyi-Grunwald-997479.jpg
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Woman_by_the_Water
Date 1897(1897)
Medium Oil on canvas
Dimensions 81??99 cm
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Ave Maria
new24/Bela Ivanyi-Grunwald-654594.jpg
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Ave_Maria
English: Ave Maria
Date 1891
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Devotion (Ave Maria)
new26/Bela Ivanyi-Grunwald-777748.jpg
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Devotion_(Ave_Maria)
Date 1891(1891)
Medium oil on canvas
Dimensions Height: 120 cm (47.2 in). Width: 115.2 cm (45.4 in).
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The Warlord's Sword
new26/Bela Ivanyi-Grunwald-398666.jpg
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The_Warlord's_Sword
Date 1890(1890)
Medium oil on canvas
Dimensions Height: 161 cm (63.4 in). Width: 150 cm (59.1 in).
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Moon Rise
new26/Bela Ivanyi-Grunwald-475694.jpg
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Moon_Rise
Date 1897(1897)
Medium oil on canvas
Dimensions Height: 118 cm (46.5 in). Width: 185 cm (72.8 in).
TTD
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Bela_Ivanyi-Grunwald
(6 May 1867 - 24 September 1940) was a Hungarian painter, a leading member of the Nagybenya artists' colony and founder of the Kecskemet artists' colony.
Born in Som, Ivenyi-Grenwald began his artistic studies under Bertalan Szekely and Keroly Lotz at the Academy of Fine Arts in Budapest (1882-86) and continued them at Munich in 1886-87 and at the Academie Julian in Paris from 1887 to 1890. From 1891 he again worked in Munich; in 1894 he travelled with Ferenc Eisenhut to Egypt, where he painted several oriental-themed works. Beginning in 1889 he had regular exhibitions at the Palace of Art in Budapest. Characteristic of his early pictures is A Hader kardja ("The Warrior's Sword", 1890), a proto-Symbolist treatment of rural genre showing the influence of Jules Bastien-Lepage. After his return to Munich, Ivenyi-Grenwald painted a large-scale genre painting entitled Nihilistek sorsot heznak ("Nihilists Drawing Lots", 1893), a work as notable for its dramatic use of chiaroscuro as for its deeply felt subject-matter. In response to a state commission for the 1896 Millennium Exhibition in Budapest he produced an enormous academic history painting.
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