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Italian landscape
new26/Jan Both-687594.jpg
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Italian_landscape
circa 1645 (1630-1652)
Medium oil on copper mounted on panel
Dimensions Height: 51 cm (20.1 in). Width: 70 cm (27.6 in).
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Italian landscape by evening.
new26/Jan Both-398574.jpg
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Italian_landscape_by_evening.
circa 1645(1645)
Medium oil on panel
Dimensions Height: 46.5 cm (18.3 in). Width: 60.5 cm (23.8 in).
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Italian landscape with draughtsman.
new26/Jan Both-545499.jpg
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Italian_landscape_with_draughtsman.
circa 1650(1650) (1630-1652)
Medium oil on canvas
Dimensions Height: 187 cm (73.6 in). Width: 240 cm (94.5 in).
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Italianate Landscape with travellers
new26/Jan Both-474749.jpg
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Italianate_Landscape_with_travellers
1646(1646)
Medium painting
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Abendlandschaft
new26/Jan Both-656853.jpg
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Abendlandschaft
2nd quarter of 17th century
Medium color on canvas
Dimensions 65 x 82 cm
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Jan_Both
Jan Dirksz Both (between 1610 and 1618 - August 9, 1652) Jan Both was a Dutch painter, draughtsman, and etcher, who made an important contribution to the development of Dutch Italianate landscape painting.
Both was born in Utrecht, and was the brother of Andries Both. According to Houbraken, the brothers first learned to paint from their father, who was a glass-painter or glazier there. Later Jan was a pupil of Abraham Bloemaert and still later the brothers traveled together to Rome via France. Gerrit van Honthorst has also been suggested as a teacher.
By 1638 Jan and his brother Andries were in Rome where Andries concentrated on genre works in the manner of Pieter van Laer, while Jan concentrated on landscapes in the manner of Claude Lorrain.[1] In 1639 Jan collaborated with Herman van Swanevelt and Claude Lorrain on a project for the Buen Retiro Palace in Madrid. Certainly by 1646 Jan had returned to Utrecht, where he refined further his expansive, imaginary landscapes drenched with a Mediterranean golden light. In Landscape with Bandits Leading Prisoners (Museum of Fine Arts, Boston) the sandy road makes a sweeping diagonal from the left. Touches of realism in the down-to-earth figures and detailed vegetation of the foreground contrast with the idyllic golden distance. Occasionally Both peoples his landscapes with religious or mythological figures as in Judgement of Paris (London, National Gallery) where the figures were painted by a fellow Utrecht artist, Cornelis van Poelenburch. Jan's brother Andries (c.1612-41), who specialised in peasant scenes, died in Venice as they were returning to Utrecht.
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