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Beach in Normandy
new9/Richard Parkes Bonington-969356.jpg
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Beach_in_Normandy
mk87
c.1826/27
Oil on canvas
33x44cm
London,Tate Gallery
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The Column of St Mark in Venice
new9/Richard Parkes Bonington-944622.jpg
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The_Column_of_St_Mark_in_Venice
mk87
c.1826-1828
Oil on canvas
45.7x37.5cm
London,Tate Gallery
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Sunset in the Pays de Caux
new16/Richard Parkes Bonington-647568.jpg
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Sunset_in_the_Pays_de_Caux
1828
Watercolour
200 x 260 mm
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A Venetian Scene
new16/Richard Parkes Bonington-835684.jpg
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A_Venetian_Scene
c. 1828
Watercolour,
180 x 250 mm
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On the Adriatic
new16/Richard Parkes Bonington-384793.jpg
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On_the_Adriatic
c. 1826
Oil on cardboard,
30 x 43 cm
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Richard_Parkes_Bonington
1802-1828
Richard Parkes Bonington Locations
English painter. His father, also called Richard (1768-1835), was a provincial drawing-master and painter, exhibiting at the Royal Academy and the Liverpool Academy between 1797 and 1811. An entrepreneur, he used his experience of the Nottingham lace-manufacturing industry to export machinery illegally to Calais, setting up a business there in late 1817 or early 1818. In Calais the young Richard Parkes Bonington became acquainted with Louis Francia, with whom he consolidated and expanded whatever knowledge of watercolour technique he had brought with him from England. Under Francias direction Bonington left Calais for Paris where, probably not before mid- or late 1818, he met Eugene Delacroix. The latters recollection of Bonington at this time was of a tall adolescent who revealed an astonishing aptitude in his watercolour copies of Flemish landscapes. Once in Paris Bonington embarked on an energetic and successful career, primarily as a watercolourist. In this he was supported by his parents who sometime before 1821 also moved to Paris, providing a business address for him at their lace company premises.
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