Antonio Pollaiuolo

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 Antonio Pollaiuolo Altarpiece of the SS. Vincent, James and Eustace oil painting artist
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     Altarpiece of the SS. Vincent, James and Eustace
     new19/Antonio Pollaiuolo-968545.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $89   $99
20x24 50x60   $109   $119
24x36 60x90   $139   $159
30x40 75x100   $169 $199
36x48 90x120   $249 $249
48x72 120x180 $459 469

 

  Altarpiece_of_the_SS._Vincent,_James_and_Eustace
1468 Tempera on wood, 172 x 179 cm

 Antonio Pollaiuolo Angel oil painting artist
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     Angel
     new21/Antonio Pollaiuolo-663544.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 

  Angel
1467 Fresco Chapel of the Cardinal of Portugal, San Miniato al Monte, Florence *** Keywords: ************* Artist: POLLAIUOLO, Antonio del Painting Title: Angel (detail) , 1451-1500 Painting Style: Italian , , religious

 Antonio Pollaiuolo Portrait of a Girl - Panel Museo Poldi Pezzoli oil painting artist
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     Portrait of a Girl - Panel Museo Poldi Pezzoli
     new21/Antonio Pollaiuolo-485796.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 

  Portrait_of_a_Girl_-_Panel_Museo_Poldi_Pezzoli
Milan There are experts who think it to be the work of Domenico Veneziano. Independently of this uncertainty, this is one of the most beautiful profile portraits of the period. Artist: POLLAIUOLO, Antonio del Painting Title: Portrait of a Girl , 1451-1500 Painting Style: Italian , , portrait

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     Antonio_Pollaiuolo
    1431-1498 Italian Antonio Pollaiuolo Galleries Sculptor, painter, designer and engraver. He was trained as a goldsmith and bronze sculptor, probably in Lorenzo Ghiberti workshop. In 1466 he joined the Arte della Seta, the silkworkers guild (to which goldsmiths traditionally belonged), and he listed himself as a goldsmith and painter in the membership records of the Compagnia di S Luca in 1473; this is the only documented reference to him as a painter. In his tax return in 1480 he reported that he was renting a workshop specifically for goldsmiths work. He still described himself as a goldsmith, and not as a painter, in his last tax return in 1496.

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