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The Death of Seneca
Peter Paul Rubens12.jpg
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The_Death_of_Seneca
1615
Museo del Prado, Madrid
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The Garden of Love
Peter Paul Rubens13.jpg
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The_Garden_of_Love
1630
Museo del Prado, Madrid
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The Judgment of Paris
Peter Paul Rubens14.jpg
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The_Judgment_of_Paris
1639
Museo del Prado, Madrid
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A Peasant Dance
Peter Paul Rubens15.jpg
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A_Peasant_Dance
Museo del Prado, Madrid
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Landscape with a Watering Place
Peter Paul Rubens16.jpg
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Landscape_with_a_Watering_Place
Musee du Louvre, Paris
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Peter_Paul_Rubens
Flemish Baroque Era Painter, 1577-1640
Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects.
In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England.
Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635.
His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems.
His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.
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