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Dawn
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Dawn
mk276 1520 marble sculpture years Medici Chapel in Florence
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Street Scene in Rome - Oil on canvas
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Street_Scene_in_Rome_-_Oil_on_canvas
58 x 69 cm Private collection Author: CERQUOZZI, Michelangelo Title: Street Scene in Rome , 1601-1650 , Italian Form: painting , genre
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Eleazar
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Eleazar
1511-12 Fresco, 215 x 430 cm Cappella Sistina, Vatican "Eliud begat Eleazar. Eleazar begat Matthan. Matthan begat Joseph." (Matthew 1:15) Eleazar, father of Matthan is generally believed to be the young man on the right. His head is seen in profile, and he appears to be immersed in his thoughts. Behind him are visible the heads of a woman and a child. In the left part of the lunette, Matthan, in the background, seems to be turning with an expression of astonishment or apprehension toward his wife, who, seated and seen in profile, plays with the child Jacob, who frisks on her knee. This lunette was probably the first to be frescoed by Michelangelo. Artist: MICHELANGELO Buonarroti Painting Title: Eleazar - Matthan , 1501-1550 Painting Style: Italian , , religious
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Michelangelo Caravaggio 068
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Michelangelo_Caravaggio_068
Title Deutsch: Rosenkranzmadonna, Detail
Year 1606-1607
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Michelangelo Caravaggio 071
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Michelangelo_Caravaggio_071
Year ca. 1606-1607
Technique Oil on poplar
Dimensions 90.5 X 116 cm (35.63 X 45.67 in)
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CERQUOZZI,_Michelangelo
Italian Baroque Era Painter, ca.1602-1660
Italian painter. He was a painter of bambocciate (low-life subjects), battles, small religious and mythological works and still-lifes. He was born of Roman parents, baptized in the parish of S Lorenzo in Lucina and spent his entire life in his native city. A member of the Accademia di S Luca since 1634, Cerquozzi attended meetings of the society as late as 1652. His friends included Domenico Viola, Pietro da Cortona and Giacinto Brandi. More significant were his associations with foreign residents in Rome. According to Baldinucci, Cerquozzi had special affection for the Spanish, owing to the patronage he received from the major-domo of the Spanish Embassy as a youth, and would often don Spanish attire as a sign of his sentiment. His Spanish connections may partly account for the many commissions he later received from patrons identified with Rome's pro-Spanish political faction (Haskell). Cerquozzi enjoyed equally good rapport with northern European residents of Rome. He is documented as having quartered with artists from beyond the Alps, including Paulus Bor and Cornelis Bloemaert, for the bulk of his career.
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