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The Triumph of David a
new1/POUSSIN, Nicolas15.jpg
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The_Triumph_of_David_a
1630-31
Oil on canvas, 100 x 130 cm
Museo del Prado, Madrid
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The Empire of Flora af
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The_Empire_of_Flora_af
1631
Oil on canvas, 131 x 182 cm
Gemäldegalerie, Dresden
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The Empire of Flora (detail) afd
new1/POUSSIN, Nicolas17.jpg
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The_Empire_of_Flora_(detail)_afd
1631
Oil on canvas
Gemäldegalerie, Dresden
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The Triumph of Flora sg
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The_Triumph_of_Flora__sg
1631
Oil on canvas, 165 x 241 cm
Mus??e du Louvre, Paris
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Bacchanal before a Statue of Pan zg
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Bacchanal_before_a_Statue_of_Pan_zg
1631-33
Oil on canvas, 100 x 142,5 cm
National Gallery, London
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POUSSIN,_Nicolas
French Baroque Era Painter, 1594-1665
French painter and draughtsman, active in Italy. His supreme achievement as a painter lies in his unrivalled but hard-won capacity to subordinate dramatic narrative and the expression of extreme states of human passions to the formal harmony of designs based on the beauty and precision of abstract forms. The development of his art towards this end was focused on the search for a point of equilibrium and synthesis between the forces of the Classical and the Baroque around which most critical debate in Rome was concentrated during the 1630s. Poussin did not aspire to the classicism of Raphael's idealized human forms or Michelangelo's re-embodiment of the physical splendours of the antique world, nor did he attempt to vie with the bravura and energy of Annibale Carracci's treatment of Classical mythology in the Galleria of the Palazzo Farnese in Rome. Equally he was not concerned with the illusionistic effects and heightened emotionalism of Baroque artists such as Pietro da Cortona and Lanfranco. He was concerned above all with interpreting his subject-matter, whether Classical or religious, and telling a story with the greatest possible concentration of emotional response,
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