Moritz von Schwind

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 Moritz von Schwind the morning hour oil painting artist
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     the morning hour
     new20/Moritz von Schwind-742385.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 

  the_morning_hour
mk247 1858,oil on canvas,13.375x15.75 in,34x40 cm,schack galerie,munich,germany

 Moritz von Schwind Landscape with Wanderer oil painting artist
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     Landscape with Wanderer
     new21/Moritz von Schwind-799985.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 

  Landscape_with_Wanderer
1835 Brown pen on yellowish paper, 428 x 271 mm Albertina, Vienna The landscapes of Schwind are poetic and fairytale-like creations. Below a mountain bridge with a view of a distant, hilly landscape a man can be seen sunk in contemplation; the back of the wanderer with a harp slung over his shoulder also has a nostalgic effect. Author: SCHWIND, Moritz von Title: Landscape with Wanderer Form: graphics , 1801-1850 , Austrian , landscape

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     Moritz_von_Schwind
    Austrian Romantic Painter, 1804-1871 Austrian painter and illustrator. He studied at the Akademie der Bildende K?nste in Vienna (1821-3), where he was influenced by the Biedermeier genre painter Peter Krafft and the Nazarene painter Ludwig Ferdinand Schnorr von Carolsfeld. He made copies after the Old Masters at the Belvedere in Vienna, exploring especially D?rer, Albrecht Altdorfer, Raphael and Titian, which completed his early, largely autodidactic experience of art. His friendship with Franz Schubert, the poet and playwright Franz Grillparzer and the painters Ferdinand and Friedrich Olivier, as well as the cultural environment of Biedermeier Vienna in his years there between 1823 and 1828, shaped his spiritual development as a painter. His love of music inspired his later 'symphonic' compositions and flowing linear rhythms. Extensive reading of the work of Romantic writers such as Achim von Arnim, Clemens von Brentano, Ludwig Tieck, Friedrich Heinrich von Hagen and the brothers Jacob and Wilhelm Grimm helped prepare his mature pictorial themes of fairytales, legends and sagas. He was unsuccessful as a painter and eked out a meagre livelihood by drawing naturalistic genre scenes for engravers, while occasionally selling a painting. Walk before the City Gate

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