Antoine Wiertz

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 Antoine Wiertz The Reader of Novels oil painting artist
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     The Reader of Novels
     new25/Antoine Wiertz-335585.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 

  The_Reader_of_Novels
Date 1853(1853) Medium oil on canvas Dimensions 125 X 157 cm (49.2 X 61.8 in) TTD

 Antoine Wiertz self portrait by Antoine Wiertz oil painting artist
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     self portrait by Antoine Wiertz
     new26/Antoine Wiertz-885933.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 

  self_portrait_by_Antoine_Wiertz
1860 cjr

 Antoine Wiertz The Young Sorceress oil painting artist
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     The Young Sorceress
     new26/Antoine Wiertz-449597.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $89   $99
20x24 50x60   $109   $119
24x36 60x90   $139   $159
30x40 75x100   $169 $199
36x48 90x120   $249 $249
48x72 120x180 $459 469

 

  The_Young_Sorceress
oil on canvas 1857 cjr

 Antoine Wiertz Autoportrait a lage de 18 ans oil painting artist
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     Autoportrait a lage de 18 ans
     new26/Antoine Wiertz-994794.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 

  Autoportrait_a_lage_de_18_ans
oil on canvas Dimensions 81.3 x 62.5 cm cyf

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     Antoine_Wiertz
    Belgian Painter, 1806-1865 Belgian painter and sculptor. He was from very humble origins, but his talent for drawing was detected at an early age. He was sent to the Antwerp Academie, where he attended classes given by W. J. Herreyns (1743-1827) and Mathieu Ignace Van Br?e. During a stay in Paris from 1829 to 1832 he came into contact with the Romantic painters, in particular Th?odore G?ricault, who fostered his admiration for Rubens. In 1832 he won the Belgian Prix de Rome and in 1834 left for Italy where the works of Raphael and, above all, Michelangelo made an overwhelming impression on him. In Rome he abandoned the landscapes and scenes from Roman life, for which he showed a certain talent, and embarked on a much more ambitious work, the Greeks and the Trojans Contesting the Body of Patroclus (1835; Brussels, Mus. Wiertz.). The painting proved the turning-point in Wiertz's career. Its frenzied composition and violently contorted figures excited considerable interest in Rome.

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