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Anna Boch in her Atelier
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Anna_Boch_in_her_Atelier
Anna Boch in her Atelier
1893(1893)
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The Sisters of the Painter Schlobach
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The_Sisters_of_the_Painter_Schlobach
Date 1884(1884)
Medium Oil on canvas
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Lady in White - Portrait of Mrs. Theo Van Rysselberghe
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Lady_in_White_-_Portrait_of_Mrs._Theo_Van_Rysselberghe
Date 1926(1926)
Medium Oil on canvas
Dimensions 91.5 x 73 cm (36 x 28.7 in)
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The Sisters of the Painter Schlobach
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The_Sisters_of_the_Painter_Schlobach
1884(1884)
Medium Oil on canvas
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Sitzender Akt
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Sitzender_Akt
1905(1905)
Medium Oil on cardboard
Dimensions 37 x 26.5 cm (14.6 x 10.4 in)
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Theo_Van_Rysselberghe
Belgian Pointillist Painter, 1862-1926
was a Belgian neo-impressionist painter, who played a pivotal role in the European art scene at the turn of the century. Born in Ghent to a French-speaking bourgeois family, he studied first at the Academy of Ghent under Theo Canneel and from 1879 at the Academy of Brussels under the directorship of Jean-François Portaels. The North African paintings of Portaels had started an orientalist fashion in Belgium. Their impact would strongly influence the young Theo van Rysselberghe. Between 1882 and 1888 he made three trips to Morocco, staying there a total of one year and half. Barely 18 years old, he already participated at the Salon of Ghent, showing two portraits. Soon afterwards followed his Self-portrait with pipe (1880), painted in somber colours in the Belgian realistic tradition of that time. His Child in an open spot of the forest (1880) already departs from this style and he sets his first steps towards impressionism.
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