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The birth of the Baptist
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The_birth_of_the_Baptist
mk261 wood engraving oil painting, Florence, the Ukrainian Fiji art museum, in 1890 numbered 1532.
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generation Prevlaka and Tolstoy
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generation_Prevlaka_and_Tolstoy
mk261 plank oil painting, Florence, Ukrainian Fiji art museum
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Three Graces
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Three_Graces
1535 Sanguine, 495 x 213 mm Galleria degli Uffizi, Florence Pontormo's skill as a draftsman is universally admired, and his drawings are a highly approachable aspect of his vision. A delicacy of touch, a spirited line, and an emphasis upon surface is combined with an exciting concentration on silhouette. Artist: PONTORMO, Jacopo Painting Title: Three Graces , 1501-1550 Painting Style: Italian , graphics Type: study
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Jacopo Pontormo
new23/Jacopo Pontormo-988573.jpg
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Jacopo_Pontormo
Artist Pontormo, Jacopo
Title Deutsch: Gemälde fer das Hochzeitszimmer des Pier Francesco Borgherini im Familienpalast in Florenz, Szene: Joseph in Ägypten, Detail
Year 1517-1518
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Noli me tangere.
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Noli_me_tangere.
after 1531
Oil on wood
175 X 134 cm
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Jacopo_Pontormo
Italian 1494-1557 Jacopo Pontormo Galleries
Italian painter and draughtsman. He was the leading painter in mid-16th-century Florence and one of the most original and extraordinary of Mannerist artists. His eccentric personality, solitary and slow working habits and capricious attitude towards his patrons are described by Vasari; his own diary, which covers the years 1554-6, further reveals a character with neurotic and secretive aspects. Pontormo enjoyed the protection of the Medici family throughout his career but, unlike Agnolo Bronzino and Giorgio Vasari, did not become court painter. His subjective portrait style did not lend itself to the state portrait. He produced few mythological works and after 1540 devoted himself almost exclusively to religious subjects. His drawings, mainly figure studies in red and black chalk, are among the highest expressions of the great Florentine tradition of draughtsmanship; close to 400 survive, forming arguably the most important body of drawings by a Mannerist painter. His highly personal style was much influenced by Michelangelo, though he also drew on northern art, primarily the prints of Albrecht Derer.
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