Georges de La Tour

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 Georges de La Tour Die Auffindung der Leiche des Hl.Sebastian oil painting artist
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     Die Auffindung der Leiche des Hl.Sebastian
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INCHES CM High Quality Museum Quality
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  Die_Auffindung_der_Leiche_des_Hl.Sebastian
mk92 1649 167x130cm Bois Anzeray Pfarrkirche.z.Zt.Broglie.Pfarrkirche

 Georges de La Tour Gilles oil painting artist
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     Gilles
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INCHES CM High Quality Museum Quality
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  Gilles
mk92 1721 184x149cm Paris. Louvre

 Georges de La Tour The Education of the Virgin oil painting artist
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     The Education of the Virgin
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  The_Education_of_the_Virgin
mk29 c.1650 Oil on canvas 83.8x100.4cm

 Georges de La Tour Ijob will mock of its woman oil painting artist
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     Ijob will mock of its woman
     new12/Georges de La Tour-937274.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
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48x72 120x180 $389 399

 

  Ijob_will_mock_of_its_woman
mk148 Illustration von Ijob 2,9-10.In der Bibel wird Ijobs frau nicht Namentlich erwähnt,In der Bibel wird Ijobs Frau nicht namentlich erwähnt,nach dem Testament Ijobs heißt sie Sitis

 Georges de La Tour The apostle Thomas oil painting artist
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     The apostle Thomas
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INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
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30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 

  The_apostle_Thomas
mk148 The apostle holds became a javelin in the Handder legend after it in its martyr death of javelins durchbohrt (s. head text)

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     Georges_de_La_Tour
    1593-1652 French Georges de La Tour Galleries His early work shows influences from Caravaggio, probably via his Dutch followers, and the genre scenes of cheats??as in The Fortune Teller ??and fighting beggars clearly derive from the Dutch Caravaggisti, and probably also his fellow-Lorrainer, Jacques Bellange. These are believed to date from relatively early in his career. La Tour is best known for the nocturnal light effects which he developed much further than his artistic predecessors had done, and transferred their use in the genre subjects in the paintings of the Dutch Caravaggisti to religious painting in his. Unlike Caravaggio his religious paintings lack dramatic effects. He painted these in a second phase of his style, perhaps beginning in the 1640s, using chiaroscuro, careful geometrical compositions, and very simplified painting of forms. His work moves during his career towards greater simplicity and stillness ?? taking from Caravaggio very different qualities than Jusepe de Ribera and his Tenebrist followers did. He often painted several variations on the same subjects, and his surviving output is relatively small. His son Etienne was his pupil, and distinguishing between their work in versions of La Tour's compositions is difficult. The version of the Education of the Virgin, in the Frick Collection in New York is an example, as the Museum itself admits. Another group of paintings (example left), of great skill but claimed to be different in style to those of de La Tour, have been attributed to an unknown "Hurdy-gurdy Master". All show older male figures (one group in Malibu includes a female), mostly solitary, either beggars or saints. After his death in 1652, La Tour's work was largely forgotten until rediscovered by Hermann Voss, a German scholar, in 1915. In 1935 an exhibition in Paris began the revival in interest among a wider public. In the twentieth century a number of his works were identified once more, and forgers tried to help meet the new demand; many aspects of his œuvre remain controversial among art historians.

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