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The Coronation of the Virgin (mk05)
new5/Fra Angelico-292387.jpg
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The_Coronation_of_the_Virgin_(mk05)
Wood 82 1/4 x 81''(209 x 206 cm)predella 11 1/2 x 82 1/2''(29 x 210 cm).The reproductions on pages 50 to 55 art the seven panels of the predella.From the convent of San Domenico in Fiesole entered the Louvre in 1812
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Crucifixion with st dominic (mk05)
new5/Fra Angelico-667468.jpg
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Crucifixion_with_st_dominic_(mk05)
Fresco,171 1/4 x 102 1/4''(43.5 x 260 cm).Entered the Louvre in 1880
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The Martyrdom of Saints Cosmas and Damian (mk05)
new5/Fra Angelico-947843.jpg
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The_Martyrdom_of_Saints_Cosmas_and_Damian_(mk05)
Wood,14 1/2 x 18''(37 x 46 cm).Painted for the refectory of the convent of San Domenico in Fiesole.Entered the Louvre in 1882
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Annalena Panel (mk08)
new6/Fra Angelico-723928.jpg
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Annalena_Panel_(mk08)
The Virgin and Child enthroned with SS Peter the Martyr,Cosmas and Damian(left)
John the Baptist ,Lawrence and Francis (right)
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The Lamentation of Christ (mk08)
new6/Fra Angelico-457255.jpg
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The_Lamentation_of_Christ_(mk08)
Tempera on wood
108x165cm
Florence,
Museo di San Marco
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Fra_Angelico
Fra Angelico Galleries
b.c. 1400, Vicchio, Florence
d.Feb. 18, 1455, Rome
Fra Angelico (c. 1395 ?C February 18, 1455), born Guido di Pietro, was an Early Italian Renaissance painter, referred to in Vasari's Lives of the Artists as having "a rare and perfect talent".
Known in Italy as il Beato Angelico, he was known to his contemporaries as Fra Giovanni da Fiesole (Brother John from Fiesole). In Giorgio Vasari's Lives of the Artists, written prior to 1555, he was already known as Fra Giovanni Angelico (Brother Giovanni the Angelic One).
Within his lifetime or shortly thereafter he was also called Il Beato (the Blessed), in reference to his skills in painting religious subjects. In 1982 Pope John Paul II conferred beatification, thereby making this title official. Fiesole is sometimes misinterpreted as being part of his formal name, but it was merely the name of the town where he took his vows, used by contemporaries to separate him from other Fra Giovannis. He is listed in the Roman Martyrology as Beatus Ioannes Faesulanus, cognomento Angelicus??"Blessed Giovanni of Fiesole, nicknamed Angelico".
Fra Angelico was working at a time when the style of painting was in a state of change. This process of change had begun a hundred years previous with the works of Giotto and several of his contemporaries, notably Giusto de' Menabuoi, both of whom had created their major works in Padua, although Giotto was trained in Florence by the great Gothic artist, Cimabue, and painted a fresco cycle of St Francis in the Bardi Chapel in Santa Croce. Giotto had many enthusiastic followers, who imitated his style in fresco, some of them, notably the Lorenzetti, achieving great success.
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