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La debacle
new19/Theodore Robinson-679754.jpg
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La_debacle
mk235
1892
Oil on canvas
45.8x55.9cm
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The Wedding March
new19/Theodore Robinson-823684.jpg
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The_Wedding_March
mk235
1892
Oil on canvas
56.7x67.3cm
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La Vachere
new21/Theodore Robinson-958257.jpg
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La_Vachere
La Vach??re (ca. 1888) Smithsonian American Art Museum
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La Debacle
new21/Theodore Robinson-783848.jpg
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La_Debacle
La D??bâcle, 1892, collection: Scripps College, Claremont, California
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Theodore Robinson, Low Tide Riverside Yacht Club
new21/Theodore Robinson-329338.jpg
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Theodore_Robinson,_Low_Tide_Riverside_Yacht_Club
Theodore Robinson, Low Tide Riverside Yacht Club, (1894), Collection of Margaret and Raymond Horowitz
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Theodore_Robinson
1852-1896
Theodore Robinson (July 3, 1852 ?C April 2, 1896) was an American painter best known for his impressionist landscapes. He was one of the first American artists to take up impressionism in the late 1880s, visiting Giverny and developing a close friendship with Claude Monet. Several of his works are considered masterpieces of American Impressionism.
In 1884 Robinson returned to France where he would live for the next eight years, visiting America only occasionally. Robinson gravitated to Giverny, which had become a center of French impressionist art under the influence of Claude Monet.
La Debacle, 1892, collection: Scripps College, Claremont, CaliforniaHistorians are unclear when Robinson met Monet, but by 1888 their friendship was enough for Robinson to move in next door to the famous impressionist. Robinson's art shifted to a more traditional impressionistic manner during this time, likely due to Monet's influence. While a number of American artists had gathered at Giverny, none were as close to Monet as Robinson. Monet offered advice to Robinson, and he likewise solicited Robinson for opinions on Monet's own works in progress.
At Giverny, Robinson painted what art historians regard as some of his finest works. These depicted the surrounding countryside in different weather, in the plein air tradition, sometimes with women shown in leisurely poses. An example of his mature work during this period is La Debacle (1892) in the collection of Scripps College, Claremont California.
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