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Temptation of Adam and Eve
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Temptation_of_Adam_and_Eve
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c.1426,fresco,82x34.675 in Brancacci chapel,santa maria del carmine,florence,ltaly
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Madonna and Child, Saint Anne and the Angels
new21/MASOLINO da Panicale-864879.jpg
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Madonna_and_Child,_Saint_Anne_and_the_Angels
Madonna and Child, Saint Anne and the Angels
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The Annunciation, National Gallery of Art
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The_Annunciation,_National_Gallery_of_Art
The Annunciation, National Gallery of Art
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Pope Gregory the Great
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Pope_Gregory_the_Great
between 1428(1428) and 1429(1429)
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MASOLINO_da_Panicale
Italian Early Renaissance Painter, ca.1383-1447
Florentine painter of the early Renaissance, whose real name was Tommaso di Cristoforo Fini. His versatile painting incorporated his feeling for decorative color with strong modeling and spatial organization. He was admitted (1423) to the apothecaries' guild in Florence, in which painters were enrolled, and was soon commissioned to paint the frescoes in the Brancacci Chapel in Florence. These were continued by his pupil Masaccio upon Masolino's departure (1427) for Hungary and were completed by Filippino Lippi, thus greatly complicating the question of authorship; currently scholars attribute to Masolino St. Peter Preaching, St. Peter Healing the Cripple, The Raising of Tabitha, and The Fall of Adam and Eve. Upon his return to Florence, Masolino found painters occupied with problems of perspective, light and shade, and classical architecture and decoration, ideas that he utilized while retaining much of the old Giottesque tradition. He went to Rome where he painted frescoes in the Church of San Clemente for the Cardinal Branda Castiglione. For the same patron he decorated the church of Castiglione di Olona in the province of Como, Italy. There he represented scenes from the life of the Virgin and of St. John the Baptist. Attributed to Masolino are The Foundation of Santa Maria Maggiore and a Madonna and Christ in Glory (Naples);
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