Arkhip Ivanovich Kuindzhi

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 Arkhip Ivanovich Kuindzhi Eventide oil painting artist
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     Eventide
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INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
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  Eventide
cn40 1885-1890 Oil painting 29x57.5cm
 Arkhip Ivanovich Kuindzhi Eventide oil painting artist
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     Eventide
     new10/Arkhip Ivanovich Kuindzhi-553988.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 
  Eventide
cn40 1890-1895 Oil painting 38.7x55.5cm
 Arkhip Ivanovich Kuindzhi Sunset oil painting artist
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     Sunset
     new10/Arkhip Ivanovich Kuindzhi-575277.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 
  Sunset
cn40 1890-1895 Oil painting 40.5x53.5cm
 Arkhip Ivanovich Kuindzhi Landscape oil painting artist
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     Landscape
     new10/Arkhip Ivanovich Kuindzhi-825449.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 
  Landscape
cn40 1890-1895 Oil paiting 38.8x52.9cm
 Arkhip Ivanovich Kuindzhi Noon-the drove on the campo oil painting artist
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     Noon-the drove on the campo
     new10/Arkhip Ivanovich Kuindzhi-298699.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 
  Noon-the_drove_on_the_campo
cn40 1890-1895 Oil painting 42x51cm
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     Arkhip_Ivanovich_Kuindzhi
    Russian Painter, 1842-1910 Ukrainian painter, active in Russia. Initially self-taught as an artist, he twice failed the St Petersburg Academy's entrance examination, despite coaching by the marine painter Ivan Aivazovsky. In 1868, however, he was accepted as an external student. He persevered against conservative prejudice and poverty throughout his early career, supplementing his income by retouching photographs. In his early landscape paintings he often sought to capture seasonal moods, as in Autumn Mud (1872; St Petersburg, Rus. Mus.). A more human focus, however, is noticeable after 1874, when he joined the travelling exhibitions society the WANDERERS: the village houses dominate the landscape setting in Evening in Ukraine (1878; St Petersburg, Rus. Mus.). Kuindzhi's principal interest, however, was in lighting, and he obtained striking effects by using vivid colours, chiaroscuro contrasts and simple but cleverly conceived designs. Spectacular paintings, such as the Birch Grove (1879; Moscow, Tret'yakov Gal.), greatly moved contemporary viewers. Through years of experimentation, Kuindzhi developed a highly original technique, which he applied to an increasingly typical, at times almost visionary, treatment of subjects such as snow-covered mountains and moonlight (e.g. Elbnis: Moonlit Night, 1890-95; Moscow, Tret'yakov Gal.). Due to imperfections in the paints he used, many of his canvases soon darkened.
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