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La Fileuse (mk41)
new8/John William Waterhouse-524448.jpg
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La_Fileuse_(mk41)
1874
Panel
12 1/2x10in
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After the Dance (mk41)
new8/John William Waterhouse-382788.jpg
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After_the_Dance_(mk41)
1876
30x50in
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Sick Child brought into the Temple of Aesculapius (mk41)
new8/John William Waterhouse-743977.jpg
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Sick_Child_brought_into_the_Temple_of_Aesculapius_(mk41)
1877
67x82in
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Diogenes (mk41)
new8/John William Waterhouse-635694.jpg
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Diogenes_(mk41)
1882
82x53in
Sydney,Art Gallery of New South Wales
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The Remorse of Nero after the Murder of his Mother (mk41)
new8/John William Waterhouse-659676.jpg
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The_Remorse_of_Nero_after_the_Murder_of_his_Mother_(mk41)
1878
37x66in
Courtesy Sotheby's
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John_William_Waterhouse
English Pre-Raphaelite Painter, 1849-1917
English painter. His father was a minor English painter working in Rome. Waterhouse entered the Royal Academy Schools in London in 1870. He exhibited at the Society of British Artists from 1872 and at the Royal Academy from 1874. From 1877 to the 1880s he regularly travelled abroad, particularly to Italy. In the early 1870s he had produced a few uncharacteristic Orientalist keepsake paintings, but most of his works in this period are scenes from ancient history or classical genre subjects, similar to the work of Lawrence Alma-Tadema (e.g. Consulting the Oracle, c. 1882; London, Tate). However, Waterhouse consistently painted on a larger scale than Alma-Tadema. His brushwork is bolder, his sunlight casts harsher shadows and his history paintings are more dramatic.
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