James Ensor

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 James Ensor The Tribulations of St.Anthony oil painting artist
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     The Tribulations of St.Anthony
     new11/James Ensor-558633.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 
  The_Tribulations_of_St.Anthony
mk126 1887 Oil on canvas 117x167.5cm Museum of Modern Art New York
 James Ensor The Scandalized Masks oil painting artist
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     The Scandalized Masks
     new11/James Ensor-567562.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 
  The_Scandalized_Masks
mk126 1883 Oil on canvas 135x112cm Musee Royaux des Beaux-Arts de Belgique Brussels
 James Ensor Self-Portrait,Called The Big Head oil painting artist
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     Self-Portrait,Called The Big Head
     new11/James Ensor-546942.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 
  Self-Portrait,Called_The_Big_Head
mk126 1879
 James Ensor Self-Portrait,Called The Little Head oil painting artist
 Click Image to Enlarge
     Self-Portrait,Called The Little Head
     new11/James Ensor-342733.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 
  Self-Portrait,Called_The_Little_Head
mk126 1879
 James Ensor Self-Portrait at the Easel oil painting artist
 Click Image to Enlarge
     Self-Portrait at the Easel
     new11/James Ensor-894784.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 
  Self-Portrait_at_the_Easel
mk126 1879
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     James_Ensor
    Belgian 1860-1949 Belgian painter, printmaker and draughtsman. No single label adequately describes the visionary work produced by Ensor between 1880 and 1900, his most productive period. His pictures from that time have both Symbolist and Realist aspects, and in spite of his dismissal of the Impressionists as superficial daubers he was profoundly concerned with the effects of light. His imagery and technical procedures anticipated the colouristic brilliance and violent impact of Fauvism and German Expressionism and the psychological fantasies of Surrealism. Ensor most memorable and influential work was almost exclusively produced before 1900, but he was largely unrecognized before the 1920s in his own country. His work was highly influential in Germany, however: Emil Nolde visited him in 1911, and was influenced by his use of masks; Paul Klee mentions him admiringly in his diaries; Erich Heckel came to see him in the middle of the war and painted his portrait (1930; Cologne, Wallraf-Richartz-Mus.); Alfred Kubin owned several of his prints, while Marc Chagall and George Grosz also adapted certain elements from Ensor. All the artists of the Cobra group saw him as a master. He influenced many Belgian artists including Leon Spilliaert, Rik Wouters, Constant Permeke, Frits van den Berghe, Paul Delvaux and Pierre Alechinsky.
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