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Carrying the Cross
new25/Matthias Grunewald-977757.jpg
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Carrying_the_Cross
between 1523(1523) and 1524(1524)
Medium Oil on wood
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The Mocking of Christ
new25/Matthias Grunewald-958779.jpg
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The_Mocking_of_Christ
1503(1503)
Medium Oil on pine panel
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Stuppach Madonna
new25/Matthias Grunewald-636596.jpg
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Stuppach_Madonna
between 1517(1517) and 1519(1519)
Medium Oil on canvas mounted on wood
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Stuppach Madonna
new25/Matthias Grunewald-767663.jpg
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Stuppach_Madonna
between 1517(1517) and 1519(1519)
Medium Oil on canvas mounted on wood
cyf
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The Mocking of Christ
new25/Matthias Grunewald-686496.jpg
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The_Mocking_of_Christ
1503(1503)
Medium oil on pine panel
Dimensions Height: 109 cm (42.9 in). Width: 73.5 cm (28.9 in).
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Matthias__Grunewald
German
1475-1528
Matthias Grunewald Galleries
Only religious works are included in his small surviving corpus, the most famous being the Isenheim Altarpiece, completed 1515, now in the Musee d'Unterlinden, Colmar. Its nine images on twelve panels contain scenes of the Annunciation, Mary bathing Christ, Crucifixion, Entombment of Christ, Resurrection, Temptation of St. Anthony and saints. As was common in the preceding century, there are different views, depending on the arrangement of the wings; but the three views available here are exceptional. The third view discloses a carved and gilded wood altarpiece in the centre. As well as being by far his greatest surviving work, the altarpiece contains most of his surviving painting by area, being 2.65 metres high and over 5 metres wide at its fullest extent.
His other works are in Germany, except for a small Crucifixion in Washington and another in Basel, Switzerland. He was asked in about 1510 to paint four saints in grisaille for the outside of the wings of Durer's Heller Altarpiece in Frankfurt. D??rer's work was destroyed by fire and only survives in copies, but fortunately the wings have survived. There are also the late Tauberbischofsheim altarpiece in Karlsruhe, and the Establishment of the Santa Maria Maggiore in Rome (1517-1519), Freiburg, Augustinermuseum. A large panel of Saint Erasmus and Saint Maurice in Munich probably dates from 1521-24, and was apparently part of a larger altarpiece project, the rest of which has not survived. Other works are in Munich, Karlsruhe, and Rhineland churches. Altogether four somber and awe-filled Crucifixions survive. The visionary character of his work, with its expressive colour and line, is in stark contrast to Albrecht Durer's works. His paintings are known for their dramatic forms, vivid colors, and depiction of light.
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