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The Holy Family with a Little bird
new3/Bartolome Esteban Murillo-785736.jpg
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The_Holy_Family_with_a_Little_bird
mk61
c.1650
Oil on canvas
144x188cm
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Adoration of the Shepherds
new3/Bartolome Esteban Murillo-267433.jpg
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Adoration_of_the_Shepherds
mk60
Oil on canvas
77 1/2x58"
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The Dream of the Patrician
new3/Bartolome Esteban Murillo-253539.jpg
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The_Dream_of_the_Patrician
mk61
c.1662-1665
Oil on cnavas
252x522cm
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The Patrician juan and His Wife Reveal His Dream to Pope Liberius
new3/Bartolome Esteban Murillo-566977.jpg
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The_Patrician_juan_and_His_Wife_Reveal_His_Dream_to_Pope_Liberius
mk61
c.1662-1665
Oil on canvas
232x522cm
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Children with a Shell
new3/Bartolome Esteban Murillo-683738.jpg
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Children_with_a_Shell
mk61
Oil on canvas
104x124cm
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Bartolome_Esteban_Murillo
Spanish
1618-1682
Bartolome Esteban Murillo Galleries
Murillo began his art studies under Juan del Castillo in Seville. Murillo became familiar with Flemish painting; the great commercial importance of Seville at the time ensured that he was also subject to influences from other regions. His first works were influenced by Zurbaran, Jusepe de Ribera and Alonso Cano, and he shared their strongly realist approach. As his painting developed, his more important works evolved towards the polished style that suited the bourgeois and aristocratic tastes of the time, demonstrated especially in his Roman Catholic religious works.
In 1642, at the age of 26 he moved to Madrid, where he most likely became familiar with the work of Velazquez, and would have seen the work of Venetian and Flemish masters in the royal collections; the rich colors and softly modeled forms of his subsequent work suggest these influences. He returned to Seville in 1645. In that year, he painted thirteen canvases for the monastery of St. Francisco el Grande in Seville which gave his reputation a well-deserved boost. Following the completion of a pair of pictures for the Seville Cathedral, he began to specialise in the themes that brought him his greatest successes, the Virgin and Child, and the Immaculate Conception.
After another period in Madrid, from 1658 to 1660, he returned to Seville. Here he was one of the founders of the Academia de Bellas Artes (Academy of Art), sharing its direction, in 1660, with the architect, Francisco Herrera the Younger. This was his period of greatest activity, and he received numerous important commissions, among them the altarpieces for the Augustinian monastery, the paintings for Santa Mar??a la Blanca (completed in 1665), and others.
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