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The Dance
WATTEAU, Antoine21.jpg
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The_Dance
1716-18
Oil on canvas, 97 x 116 cm
Staatliche Museen, Berlin
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Italian Comedians21
WATTEAU, Antoine22.jpg
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Italian_Comedians21
c. 1720
Oil on canvas
National Gallery of Art, Washington
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L Enseigne de Gersaint
WATTEAU, Antoine23.jpg
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L_Enseigne_de_Gersaint
1720
Oil on canvas, 163 x 306 cm
Staatliche Museen, Berlin
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Harlequin, Emperor on the Moon
new5/WATTEAU, Antoine_KTKEhK.jpg
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Harlequin,_Emperor_on_the_Moon
1707
Oil on canvas
Mus??e des Beaux-Arts, Nantes
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The Island of Cythera
new5/WATTEAU, Antoine_Q66gQe.jpg
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The_Island_of_Cythera
1709
Oil on canvas
Städtische Galerie, Municipal Art Institute, Frankfurt
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WATTEAU,_Antoine
(1684?C1721).
French painter of Flemish descent, b. Valenciennes. Until 1704 poverty forced him to work in the shops of mediocre artists, where he produced genre and devotional subjects. In 1704?C8 he studied in the studio of Claude Gillot, an adept painter of scenes of theatrical life, which later became the subject of some of Watteau's finest paintings, such as Love in the Italian Theatre and Love in the French Theatre (both: Berlin). In 1708?C9 Watteau worked with the decorator Claude Audran. Watteau attracted the attention of eminent patrons in his last years, including the comte de Caylus, his biographer, and in 1717 he was made a full member of the Acad??mie royale. The Embarkation for Cythera (1717; Louvre) is characteristic of his art; it is a delicate, courtly fantasy, represented in warm and shimmering pastel tones that place him among the great colorists of all time. A lyric, Giorgionesque quality pervades his airy, gay, and sensuous scenes, which have a poignancy that none of his followers attained. Out of the most fleeting aspects of life he created an enduring and individual art. His exquisite paintings influenced fashion and garden design in the 18th cent. Other outstanding works include Gilles (Louvre), Perspective (Mus. of Fine Arts, Boston), Mezzetin (Metropolitan Mus.), and Gersaint's Shop Sign (1719; Berlin).
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