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Bacchanalia
new16/MAGNASCO, Alessandro-332729.jpg
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Bacchanalia
mk159
1710s
Oil on canvas
110.5x167.5cm
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Praying Monks
new18/MAGNASCO, Alessandro-325287.jpg
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Praying_Monks
Oil on canvas,
53,6 x 43,9 cm
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Entombment of a Soldier
new18/MAGNASCO, Alessandro-342857.jpg
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Entombment_of_a_Soldier
Oil on canvas
Civici Musei
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Three Camaldolite Monks at Prayer
new18/MAGNASCO, Alessandro-242966.jpg
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Three_Camaldolite_Monks_at_Prayer
1713-14
Oil on canvas
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Three Capuchin Friars Meditating in their Hermitage
new18/MAGNASCO, Alessandro-249793.jpg
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Three_Capuchin_Friars_Meditating_in_their_Hermitage
1713-14
Oil on canvas
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MAGNASCO,_Alessandro
Italian Rococo Era Painter, 1667-1749
Painter and draughtsman, son of (1) Stefano Magnasco. He did not study with his father, who died when he was a small child. He went to Milan, probably between 1681 and 1682, and entered the workshop of Filippo Abbiati (1640-1715). His Christ Carrying the Cross (Vitali, priv. col., see Franchini Guelfi, 1987, fig. 238) faithfully repeats the subject and composition of Abbiati's painting of the same subject (Pavia, Pin. Malaspina). Alessandro Magnasco's early works were influenced by the harsh and dramatic art of 17th-century Lombardy, with dramatic contrasts of light and dark and livid, earthy tones, far removed from the bright, glowing colours of contemporary Genoese painting. The depiction of extreme emotion in the St Francis in Ecstasy (Genoa, Gal. Pal. Bianco) was inspired by Francesco Cairo's Dream of Elijah (Milan, S Antonio Abate). However, Magnasco was already expressing himself in a very personal manner, with forms fragmented by swift brushstrokes and darting flashes of light. The Quaker Meeting (1695; ex-Vigan? priv. col., see Franchini Guelfi, 1991, no. 18) is one of his first genre scenes. In this early period he specialized as a figurista, creating small human figures to be inserted in the landscapes and architectural settings of other painters. He also began collaborating with the landscape painter Antonio Francesco Peruzzini, with a specialist in perspective effects,
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