MANTEGNA, Andrea

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 MANTEGNA, Andrea Agony in the Garden oil painting artist
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     Agony in the Garden
     new9/MANTEGNA, Andrea-949529.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $89   $99
20x24 50x60   $109   $119
24x36 60x90   $139   $159
30x40 75x100   $169 $199
36x48 90x120   $249 $249
48x72 120x180 $459 469

 
  Agony_in_the_Garden
mk86 c.1460 Tempera on wood 63x80cm London,National Gallery
 MANTEGNA, Andrea Dead Christ oil painting artist
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     Dead Christ
     new9/MANTEGNA, Andrea-423923.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 
  Dead_Christ
mk86 c.1480 Tempera on canvas 66x81cm Milan, Pinacoteca di Brera
 MANTEGNA, Andrea The Gonzaga Family and Retinue finished oil painting artist
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     The Gonzaga Family and Retinue finished
     new9/MANTEGNA, Andrea-274899.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $89   $99
20x24 50x60   $109   $119
24x36 60x90   $139   $159
30x40 75x100   $169 $199
36x48 90x120   $249 $249
48x72 120x180 $459 469

 
  The_Gonzaga_Family_and_Retinue_finished
mk86 1474 Fresco,600x807cm Mantua,Palazzo Ducale, Camera degli Sposi
 MANTEGNA, Andrea Samson and Delilah oil painting artist
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     Samson and Delilah
     new16/MANTEGNA, Andrea-754297.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 
  Samson_and_Delilah
mk170 1495-1500 Tempera on linen 47x36.8cm
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     MANTEGNA,_Andrea
    Italian Early Renaissance Painter, ca.1431-1506 Italian painter and printmaker. He occupies a pre-eminent position among Italian artists of the 15th century. The profound enthusiasm for the civilization of ancient Rome that infuses his entire oeuvre was unprecedented in a painter. In addition to its antiquarian content, his art is characterized by brilliant compositional solutions, the bold and innovative use of perspective and foreshortening and a precise and deliberate manner of execution, an aspect that was commented upon during his lifetime. He was held in great esteem by his contemporaries for his learning and skill and, significantly, he is the only artist of the period to have left a small corpus of self-portraits: two in the Ovetari Chapel; his presumed self-portrait in the Presentation in the Temple (Berlin, Gemeldegal.); one in the Camera Picta (Mantua, Pal. Ducale) and the funerary bust in his burial chapel in S Andrea, Mantua, designed and probably executed by himself. His printmaking activity is technically advanced and of great importance, although certain aspects of the execution remain to be clarified.
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