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The Poultry Woman
new23/Gabriel Metsu-589444.jpg
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The_Poultry_Woman
1662
Oil on panel
61 x 45 cm
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Old Woman Meditating.
new24/Gabriel Metsu-884585.jpg
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Old_Woman_Meditating.
ca. 1660-1662 (1660-1667)
Oil on panel
27.3 X 23.2 cm (10.75 X 9.13 in)
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Old Woman Meditating
new24/Gabriel Metsu-349856.jpg
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Old_Woman_Meditating
Medium Oil on panel
Dimensions 27.3 ?? 23.2 cm (10.7 ?? 9.1 in)
cyf
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The Apothecary or The Chemist.
new24/Gabriel Metsu-969897.jpg
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The_Apothecary_or_The_Chemist.
c. 1651-1667
Oil on canvas
27 x 23,5 cm
cjr
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Washerwoman
new24/Gabriel Metsu-933997.jpg
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Washerwoman
Oil on panel
Dimensions 23.9 x 21 cm (9.4 x 8.3 in)
cyf
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Gabriel_Metsu
Gabriël Metsu
Gabriël Metsu (January 1629 - buried 24 October 1667) was a Dutch painter of history paintings, genre works and portraits.
Metsu was the son of the Flemish painter Jacques Metsu (c.1588-1629), who lived most of his days at Leiden, and Jacomijntje Garniers, his third wife, whom he married in 1625. Jacomijntje was the widow of a painter with three children of her own. Two months after Gabriël's birth, his father died.
According to Jacobus Houbraken, Metsu was taught by Gerard Dou, though his early works do not lend colour to this assertion. He was influenced by painters of Leiden such as Jan Steen, and later by Frans van Mieris the Elder.
Metsu was registered among the first members of the painters' corporation at Leiden; and the books of the guild also tell us that he remained a member in 1649. In Leiden, it was alleged that Metsu left a brothel at six in the morning and took a prostitute to the Academy. In 1650 he ceased to subscribe, and works bearing his name and the date of 1653 support the belief that he had moved. Metsu was trained in Utrecht by Jan Baptist Weenix and Nicolaus Knepfer.
In Amsterdam Metsu lived in an alley on Prinsengracht, where he kept chickens. He got into an argument with a neighbor and moved to a house on the canal side, where a daily vegetable market was held. In 1658 he married Isabella de Wolff, whose father was a potter and mother a painter. The Speed Art Museum has a portrait of the couple. Pieter de Grebber, a religious painter from Haarlem, was her uncle.
At the onset of the 1660s Metsu turned for inspiration to the art of the "fijnschilders" from his native Leiden. Metsu was responding to the market of Dou's paintings, who sold his paintings all over for exorbitant prices. Metsu may have also influenced Pieter de Hoogh. Around the year 1661, Metsu won the patronage of the Amsterdam cloth merchant Jan J. Hinlopen and painted his family more than once in a fashionable surrounding.
The Poultry-Seller, 1662
At least thirteen of paintings show carpets and he probably used the same model. He included several fine examples of minutely depicted floral and cloudband carpets in his works and even a silk Oriental rug, as well as so-called "Lotto" rugs which he for some reason, in contrast to his meticulous rendering of the floral carpets, depicted only in a very sketchy fashion. After Metsu died, his widow left for Enkhuizen, to live with her mother.
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