Joachim Beuckelaer

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 Joachim Beuckelaer Die Eierhandlerin oil painting artist
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     Die Eierhandlerin
     new25/Joachim Beuckelaer-958885.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 

  Die_Eierhandlerin
1565(1565) Medium oil on panel Dimensions 126 x 81 cm cjr

 Joachim Beuckelaer Kitchen Scene with Meeting on the road to Emmaus oil painting artist
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     Kitchen Scene with Meeting on the road to Emmaus
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INCHES CM High Quality Museum Quality
16x20 40x50   $89   $99
20x24 50x60   $109   $119
24x36 60x90   $139   $159
30x40 75x100   $169 $199
36x48 90x120   $249 $249
48x72 120x180 $459 469

 

  Kitchen_Scene_with_Meeting_on_the_road_to_Emmaus
c. 1560(1560) - c. 1565(1565) Medium oil on panel Dimensions 109.5 x 169 cm (43.1 x 66.5 in) cjr

 Joachim Beuckelaer Die Kochin mit Geflugel oil painting artist
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     Die Kochin mit Geflugel
     new25/Joachim Beuckelaer-543846.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 

  Die_Kochin_mit_Geflugel
oil on panel, 109 x 76 cm Date 16th century cyf

 Joachim Beuckelaer Vegetable Seller oil painting artist
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     Vegetable Seller
     new25/Joachim Beuckelaer-649469.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 

  Vegetable_Seller
second half of 16th century Medium oil on panel Dimensions Height: 111.2 cm (43.8 in). Width: 81.6 cm (32.1 in). cyf

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     Joachim_Beuckelaer
    1535-1574 Flemish Joachim Beuckelaer Galleries b Antwerp, c. 1534; dAntwerp, c. 1574). Flemish painter. He came from an Antwerp family of obscure painters and seems to have spent his entire life there. He trained in the studio of Pieter Aertsen, who in 1542 had married Beuckelaers aunt; he became an independent master and also married in 1560. His earliest known work dates from that year, and his development can be followed closely to 1570. The example of Beuckelaers master remained decisive throughout his career. Not only did he take over Aertsens new repertory of secular subjects, he also completely adopted his stylistic idiom and manner of painting, so that it can be difficult to distinguish the two hands. Beuckelaer was, however, by no means a slavish imitator, and as regards execution he fully bears comparison with Aertsen.

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