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Mr Peter Ducane, Mary, nee Norris, his wife The Ducane Children
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Mr_Peter_Ducane,_Mary,_nee_Norris,_his_wife_The_Ducane_Children
1747(1747)
Oil on canvas
63.5x43.2cms and 3. 63.5x46.2
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Triptych: Mr Peter Ducane, Mary, nee Norris, his wife and The Ducane Children
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Triptych:_Mr_Peter_Ducane,_Mary,_nee_Norris,_his_wife_and_The_Ducane_Children
1747(1747)
Oil on canvas
1 & 2. 63.5x43.2cms, 3. 63.5x46.2
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The Ducane Children Peter Ducane
new24/Arthur Devis-988584.jpg
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The_Ducane_Children_Peter_Ducane
1747(1747)
Medium Oil on canvas
Dimensions 1 & 2. 63.5x43.2cms, 3. 63.5x46.2
cyf
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Mr Peter Ducane
new24/Arthur Devis-353546.jpg
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Mr_Peter_Ducane
Date 1747(1747)
Medium Oil on canvas
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The brothers Boldero
new24/Arthur Devis-854754.jpg
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The_brothers_Boldero
1752(1752)
Medium Oil
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Arthur_Devis
1712-1787
English
By 1728 he had left Preston, and the following year he was working in London for the Flemish topographical and sporting painter Peter Tillemans. There he specialized in landscape painting and copying various works in Tillemans studio after Marco Ricci, Giovanni Paolo Panini and Jan van Bloemen. Devis earliest known commission, Hoghton Towers from Duxon Hill, Lancashire (1735; priv. col., see 1983 exh. cat., no. 3), painted for Sir Henry Hoghton during a trip to Preston in 1734-5, shows Tillemans influence in its attention to detail and the use of thin, transparent paint. Thomas Lister with his Family (c. 1738; Chicago, IL, A. Inst.) demonstrates a similar interest in landscape, featuring the family group in Gisburn Park, Lancs. Devis had returned to London by 1742 and established himself as a painter of conversation pieces, with a studio in Great Queen Street. Roger Hesketh with his Family is typical of his work at this time; it shows how Devis transformed the intimacy of a Dutch 17th-century genre scene into an elegant interior with the group of sitters connected by formal, schematic gestures. Roger Hesketh stands apart, in a tastefully contrived pose, his legs crossed and right arm thrust inside his waistcoat. His son, Fleetwood, stands with his hand resting on a dog next to his wife, who is seated with an infant on her lap. The adjacent telescope, globe and marine paintings are intended to advertise Hesketh interest in astronomy and travel.
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