|
|
 |
| Click Image to Enlarge |
The Fall,from a diptych with The Fall of Man and salvation
new12/Hugo van der Goes-884334.jpg
|
|
|
|
|
The_Fall,from_a_diptych_with_The_Fall_of_Man_and_salvation
mk150
1479
Oak
32.3x21.9cm
|
|
 |
| Click Image to Enlarge |
The Fall of Man and the Lamentation
new12/Hugo van der Goes-982697.jpg
|
|
|
|
|
The_Fall_of_Man_and_the_Lamentation
mk156
c.1470-1475
Tempera on wood
32.3x21.9cm
|
|
 |
| Click Image to Enlarge |
Adoration of the Shepherds
new12/Hugo van der Goes-733964.jpg
|
|
|
|
|
Adoration_of_the_Shepherds
mk156
1476-1478
Oil on wood
250x310cm
|
|
 |
| Click Image to Enlarge |
Portrait of a man
new16/Hugo van der Goes-784328.jpg
|
|
|
|
|
Portrait_of_a_man
mk161
Tempera and oil on wood
12x10
|
|
 |
| Click Image to Enlarge |
Portinari Altarpiece
new16/Hugo van der Goes-784342.jpg
|
|
|
|
|
Portinari_Altarpiece
mk164
1476
Uffizi
Florence
|
|
|
| Prev Artist Next Artist
|
|
Hugo_van_der_Goes
1440-1482
Flemish
Hugo van der Goes Galleries
Hugo became a member of the painters' guild of Ghent as a master in 1467. In 1468 he was involved in the decoration of the town of Bruges in celebration of the marriage between Charles the Bold and Margaret of York and he provided heraldic decorations for Charles's joyeuse entr??e to Ghent in 1469 and again in 1472. He was elected dean of the Ghent guild in 1473 or 1474.
In 1475, or some years later, Hugo entered Rooklooster, a monastery near Brussels belonging to the Windesheim Congregation, and professed there as a frater conversus. He continued to paint, and remained at Rooklooster until his death in 1482 or 1483. In 1480 he was called to the town of Leuven to evaluate the Justice Scenes left unfinished by the painter Dieric Bouts on his death in 1475. Shortly after this, Hugo, returning with other members of his monastery from a trip to Cologne, fell into a state of suicidal gloom, declaring himself to be damned. After returning to Rooklooster, Hugo recovered from his illness, and died there. His time at Rooklooster is recorded in the chronicle of his fellow monk, Gaspar Ofhuys. A report by a German physician, Hieronymus M??nzer, from 1495, according to which a painter from Ghent was driven to melancholy by the attempt to equal the Ghent Altarpiece, may refer to Hugo.
His most famous surviving work is the Portinari Triptych (Uffizi, Florence), an altarpiece commissioned for the church of San Egidio in the hospital of Santa Maria Nuova in Florence by Tommaso Portinari, the manager of the Bruges branch of the Medici Bank. The triptych arrived in Florence in 1483, apparently some years after its completion by van der Goes. The largest Netherlandish work that could be seen in Florence, it was greatly praised. Giorgio Vasari in his Vite of 1550 referred to it as by "Ugo d'Anversa" ("Hugo of Antwerp"). This the sole documentation for its authorship by Hugo; other works are attributed to him based on stylistic comparison with the altarpiece.
Hugo appears to have left a large number of drawings, and either from these or the paintings themselves followers made large numbers of copies of compositions that have not survived from his own hand. A drawing of Jacob and Rachel preserved at Christ Church, Oxford is thought to be a rare surviving autograph drawing.
|
|
| Wholesale China Oil Painting Wholesale Oil Painting China Xiamen Portrait Reproduction on canvas Chinese Oil Painting Wholesale USA Oil Painting |
|
