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Portrait of Venetia, Lady Digby
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Portrait_of_Venetia,_Lady_Digby
1633-1634
Medium Oil on canvas
Dimensions 101.1 x 80.2 cm (39.8 x 31.6 in)
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Portrat der Marchesa Balbi
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Portrat_der_Marchesa_Balbi
ca. 1625(1625)
Medium Oil on canvas
Dimensions 183 x 122 cm (72 x 48 in)
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Portrat der Elisabeth oder Theresia Shirley in orientalischer Kleidung
new24/Dyck, Anthony van-844677.jpg
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Portrat_der_Elisabeth_oder_Theresia_Shirley_in_orientalischer_Kleidung
1622(1622)
Medium Oil on canvas
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Mary Stewart
new24/Dyck, Anthony van-653963.jpg
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Mary_Stewart
ca. 1636(1636)
Medium Oil
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Portrat Karl des I
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Portrat_Karl_des_I
1635-1636
Medium Oil on canvas
Dimensions 85 x 100 cm
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Dyck,_Anthony_van
Flemish Baroque Era Painter, 1599-1641
Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck's studies in oil of characterful heads were included in Rubens's estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone; and from at least the early 18th century his full-length portraits were especially prized in Genoese, British and Flemish houses,
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