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saint praxedis
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saint_praxedis
1655; Oil on Canvas; 40x32; Private Collection
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Wine Glass
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Wine_Glass
Medium English: Oil on canvas
Deutsch: Öl auf Leinwand
Dimensions 65 X 77 cm (25.59 X 30.31 in)
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The Art of Painting,
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The_Art_of_Painting,
The Art of Painting, also known as The Allegory of Painting, or Painter in his Studio, is a famous 17th century oil on canvas painting by Dutch painter, Johannes Vermeer. Many art historians believe that it is an allegory of painting, hence the alternative title of the painting. It is the largest and most complex of all of Vermeer's works. The painting is famous for being one of Vermeer's favourites, and is also a fine example of the optical style of painting, offering a realistic visual depiction of the scene and especially the effects of light streaming through the windows on various elements of the painting.
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Art of Painting
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Art_of_Painting
The Art of Painting, also known as The Allegory of Painting, or Painter in his Studio, is a famous 17th century oil on canvas painting by Dutch painter, Johannes Vermeer. Many art historians believe that it is an allegory of painting, hence the alternative title of the painting. It is the largest and most complex of all of Vermeer's works. The painting is famous for being one of Vermeer's favourites, and is also a fine example of the optical style of painting, offering a realistic visual depiction of the scene and especially the effects of light streaming through the windows on various elements of the painting.
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The Art of Painting
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The_Art_of_Painting
1666(1666)
Medium Oil on canvas
Dimensions 120 x 100 cm
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Johannes_Vermeer
One of the most talented painters in the Dutch Golden Age , 1632-1675
was a Dutch Baroque painter who specialized in exquisite, domestic interior scenes of ordinary life. Vermeer was a moderately successful provincial genre painter in his lifetime. He seems never to have been particularly wealthy, perhaps because he produced relatively few paintings, leaving his wife and children in debt at his death. Vermeer worked slowly and with great care, using bright colours, sometimes expensive pigments, with a preference for cornflower blue. He is particularly renowned for his masterly treatment and use of light in his work. What strikes in most of his paintings is a certain love, which easily could be called a love sickness, for the people and the objects in his paintings. He created a world more perfect than any he had witnessed. After having been virtually forgotten for nearly one hundred years,
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