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Forging of the Sampo
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Forging_of_the_Sampo
1893(1893)
Medium oil on canvas
Dimensions 152 x 200 cm (59.8 x 78.7 in)
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By the River of Tuonela, study for the Juselius Mausoleum frescos
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By_the_River_of_Tuonela,_study_for_the_Juselius_Mausoleum_frescos
1903(1903)
Medium tempera on canvas
Dimensions 145.5 x 77 cm (57.3 x 30.3 in)
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GALLEN-Kallela, Akseli Aino
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GALLEN-Kallela,_Akseli_Aino
157x78 cm
1889
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Joukahainen's revenge
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Joukahainen's_revenge
1897(1897)
Medium tempera on canvas
Dimensions 130 x 125 cm (51.2 x 49.2 in)
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Parisienne.
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Parisienne.
1888(1888)
Medium oil on canvas
Dimensions 46x37 cm
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Akseli_Gallen-Kallela
April 26, 1865 C March 7, 1931)
Gallen-Kallela was a Finnish artist and designer closely associated with notions of National Romanticism, especially relating to the region of Karelia, also a source of inspiration for the Finnish composer Jean Sibelius. Of particular influence was the collection of folk poems formed in the middle of the 19th century by Elias Lonrot. Following a national competition in 1891 Gallen-Kallela illustrated this national epic known as the Kaleval, the vivid images of which soon became widely known throughout Finland. He also made a significant contribution to the Finnish Pavilion at the Paris Exposition Universelle of 1900 in which he painted frescoes on Kalevala themes in the main dome, as well as designing textiles and furniture. His furniture designs were made by the Iris company, founded by a close friend, Louis Sparre. Like many other ventures associated with Arts and Crafts, the Iris company was concerned with the production of well-designed, well-made furniture and ceramics. Gallen-Kallela designs at Paris 1900 attracted considerable attention leading to the award of a number of Gold and Silver Medals at the exhibition. He worked in a wide range of design media, including ryiji rugs, which he modernized using geometric motifs derived from the Finnish landscape. His distinctive contribution to Finnish culture is preserved in the Gallen-Kallela Museum, which was originally built by him as a studio and family home between 1911 and 1913 and now contains a large body of his work, including paintings, graphics, textiles, jewellery, stained glass, and architectural designs.
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