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Throning madonna with eight angels and four prophets
new12/LEONARDO da Vinci-753566.jpg
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Throning_madonna_with_eight_angels_and_four_prophets
mk137
ca. 1280 Tempera on wood chalkboard 385x223cm
Galleria degli Uffizi, Florence
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Madonna and Child Enthroned with Two Angels and Ss. Francis and Dominic
new12/Cimabue-762289.jpg
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Madonna_and_Child_Enthroned_with_Two_Angels_and_Ss._Francis_and_Dominic
mk156
Tempera on panel
133x82cm
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S.Trinita Madonna
new12/Cimabue-633557.jpg
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S.Trinita_Madonna
mk156
c.1280
Tempera on panel
385x223cm
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Throning Madonna with angels and prophets
new16/Cimabue-674773.jpg
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Throning_Madonna_with_angels_and_prophets
MK169
ca.1280-90 Tempered on wood 384x224cm Uffizi, Florence
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Madonna and Child in Majesty Surrounded by Angels
new19/Cimabue-576279.jpg
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Madonna_and_Child_in_Majesty_Surrounded_by_Angels
nn09
c.1270
Wood
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Cimabue
Italian b1240 - d1302
Cimabue Location
Italian painter and mosaicist. His nickname means either bull-head or possibly one who crushes the views of others (It. cimare: top, shear, blunt), an interpretation matching the tradition in commentaries on Dante that he was not merely proud of his work but contemptuous of criticism. Filippo Villani and Vasari assigned him the name Giovanni, but this has no historical foundation. He may be considered the most dramatic of those artists influenced by contemporary Byzantine painting through which antique qualities were introduced into Italian work in the late 13th century. His interest in Classical Roman drapery techniques and in the spatial and dramatic achievements of such contemporary sculptors as Nicola Pisano, however, distinguishes him from other leading members of this movement. As a result of his influence on such younger artists as Duccio and Giotto, the forceful qualities of his work and its openness to a wide range of sources, Cimabue appears to have had a direct personal influence on the subsequent course of Florentine, Tuscan and possibly Roman painting.
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