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Pieta (mk08)
new6/Andrea del Sarto-347874.jpg
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Pieta_(mk08)
c.1519/20
Oil on wood,
99x120cm
Vienna,Kunsthistorischs Museum
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Assumption of the Virgin (nn03)
new8/Andrea del Sarto-323878.jpg
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Assumption_of_the_Virgin_(nn03)
c 1526
Oil on panel h 379 x w 222 cm h 149 x w 87 1/2in Palazzo Pitti,Florence
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Self-Portrait
new2/Andrea del Sarto-643675.jpg
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Self-Portrait
mk52
c.1528-30
Fresco on ceramic tile
51.5x37.5cm
Uffizi,Florence
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The Sacrifice of Abraham
new3/Andrea del Sarto-969989.jpg
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The_Sacrifice_of_Abraham
mk61
c.1529
Oil on canvas
98x69cm
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Madonna and Child with SS.Francis and John the Baptist
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Madonna_and_Child_with_SS.Francis_and_John_the_Baptist
mk65
Oil on panel
81 1/2x70 1/16in
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Andrea_del_Sarto
b.July 16, 1486, Florence
d.Sept. 28, 1530, Florence
Italian Andrea del Sarto Galleries
Andrea del Sarto (1486 ?C 1531) was an Italian painter from Florence, whose career flourished during the High Renaissance and early-Mannerism. Though highly regarded by his contemporaries as an artist "senza errori" (i.e., faultless), he is overshadowed now by equally talented contemporaries like Raphael.
Andrea fell in love with Lucrezia (del Fede), wife of a hatter named Carlo, of Recanati; the hatter dying opportunely, Andrea married her on 26 December 1512. She has come down to us in many a picture of her lover-husband, who constantly painted her as a Madonna and otherwise; even in painting other women he made them resemble Lucrezia. She was less gently handled by Giorgio Vasari, a pupil of Andrea, who describes her as faithless, jealous, and vixenish with the apprentices; her offstage character permeates Robert Browning's poem-monologue "Andrea del Sarto called the 'faultless painter'" (1855) .
He dwelt in Florence throughout the memorable siege of 1529, which was soon followed by an infectious pestilence. He caught the malady, struggled against it with little or no tending from his wife, who held aloof, and he died, no one knowing much about it at the moment, on 22 January 1531, at the comparatively early age of forty-three. He was buried unceremoniously in the church of the Servites. His wife survived her husband by forty years.
A number of paintings are considered to be self-portraits. One is in the National Gallery, London, an admirable half-figure, purchased in 1862. Another is at Alnwick Castle, a young man about twenty years, with his elbow on a table. Another youthful portrait is in the Uffizi Gallery, and the Pitti Palace contains more than one.
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