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Gnome watching railway train
new24/Carl Spitzweg-657747.jpg
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Gnome_watching_railway_train
ca. 1848(1848)
Medium Oil on wood
Dimensions 24 x 14.7 cm (9.4 x 5.8 in)
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Der Geologe
new24/Carl Spitzweg-348895.jpg
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Der_Geologe
ca. 1860(1860)
Medium Oil on paperboard mounted on canvas
Dimensions 44 x 34,5 cm
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Dirndl und Jager im Gebirge
new24/Carl Spitzweg-667559.jpg
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Dirndl_und_Jager_im_Gebirge
Oil on wood
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Die Jugendfreunde
new24/Carl Spitzweg-673657.jpg
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Die_Jugendfreunde
Date ca. 1855(1855)
Medium Oil on canvas
Dimensions 30 x 42.5 cm (11.8 x 16.7 in)
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Italienische Strabensanger
new24/Carl Spitzweg-465447.jpg
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Italienische_Strabensanger
Date by 1885(1885)
Medium Oil on wood
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Carl_Spitzweg
German Painter, 1808-1885
German painter. He trained (1825-8), at his father's insistence, as a pharmacist, by 1829 becoming manager of a pharmacy in the Straubing district of Munich. From 1830 to 1832 he made advanced studies in pharmacy, botany and chemistry at the University of Munich, passing his final examination with distinction. On receiving a large legacy in 1833, which made him financially independent, he decided to become a painter. He had drawn since the age of 15 and had frequented artistic circles since the late 1820s; but he had no professional training as a painter. He learnt much from contacts with young Munich landscape painters such as Eduard Schleich the elder and produced his first oil paintings in 1834. In 1835 he became a member of the Munich Kunstverein but left two years later due to disappointment over the reception of the first version of the Poor Poet (1837; Munich, Neue Pin.; second version 1839; Berlin, Neue N.G.), a scene of gently humorous pathos that has since become his most celebrated work. Spitzweg's decision to leave the Kunstverein, however, was also encouraged by his first successful attempts to sell his paintings independently. In 1839 he travelled to Dalmatia, where he made sketches that he used for many later works on Turkish themes (e.g. the Turkish Coffee House, c. 1860; Munich, Schack-Gal.). From the 1840s he travelled regularly, usually with his close friend, the painter Schleich, both within Bavaria and to Austria and Switzerland and also to the Adriatic coast, especially to Trieste.
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