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Portrait of Jacopo Soranzo
new9/Tintoretto-227925.jpg
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Portrait_of_Jacopo_Soranzo
c. 1550
Oil on canvas,
106 x 89 cm
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The Miracle of St Mark Freeing the Slave
new9/Tintoretto-655576.jpg
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The_Miracle_of_St_Mark_Freeing_the_Slave
1548
Oil on canvas,
415 x 541 cm
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The Stealing of the Dead Body of St Mark
new9/Tintoretto-472844.jpg
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The_Stealing_of_the_Dead_Body_of_St_Mark
1562-66
Oil on canvas,
398 x 315 cm
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The Bathing Susanna
new9/Tintoretto-482879.jpg
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The_Bathing_Susanna
1560-62
Oil on canvas,
146,6 x 193,6 cm
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Vulcanus Takes Mars and Venus Unawares
new9/Tintoretto-829442.jpg
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Vulcanus_Takes_Mars_and_Venus_Unawares
Oil on canvas,
135 x 198 cm
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Tintoretto
Italian Mannerist Painter, ca.1518-1594
His father was a silk dyer (tintore); hence the nickname Tintoretto ("Little Dyer"). His early influences include Michelangelo and Titian. In Christ and the Adulteress (c. 1545) figures are set in vast spaces in fanciful perspectives, in distinctly Mannerist style. In 1548 he became the centre of attention of artists and literary men in Venice with his St. Mark Freeing the Slave, so rich in structural elements of post-Michelangelo Roman art that it is surprising to learn that he had never visited Rome. By 1555 he was a famous and sought-after painter, with a style marked by quickness of execution, great vivacity of colour, a predilection for variegated perspective, and a dynamic conception of space. In his most important undertaking, the decoration of Venice's Scuola Grande di San Rocco (1564 C 88), he exhibited his passionate style and profound religious faith. His technique and vision were wholly personal and constantly evolving.
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