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The Sacred Family Second half of the century XVI
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The_Sacred_Family_Second_half_of_the_century_XVI
mk166
I Wave on board of wood
117x89.5cm
Uffizi, Florence
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The Madonna and Child with Saint John the Baptist and Saint Anne
new16/Agnolo Bronzino-688636.jpg
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The_Madonna_and_Child_with_Saint_John_the_Baptist_and_Saint_Anne
mk170
circa 1540
Oil on wood
101.6x81.3cm
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An Allegory with Venus and Cupid
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An_Allegory_with_Venus_and_Cupid
mk170
1540-1545
OIl on wood
146.5x116.8cm
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Lucrezia Panciatichi
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Lucrezia_Panciatichi
mk176
c.1540
Oil on canvas
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The composures frescos in the chapel of the Eleonora of Toledo
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The_composures_frescos_in_the_chapel_of_the_Eleonora_of_Toledo
mk186
around 1543-46 Florence, Palazzo Vecchio
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Agnolo_Bronzino
Italian Mannerist Painter, 1503-1572
Agnolo di Cosimo (November 17, 1503 ?C November 23,1572), usually known as Il Bronzino, or Agnolo Bronzino (mistaken attempts also have been made in the past to assert his name was Agnolo Tori and even Angelo (Agnolo) Allori), was an Italian Mannerist painter from Florence. The origin of his nickname, Bronzino is unknown, but could derive from his dark complexion, or from that he gave many of his portrait subjects. It has been claimed by some that he had dark skin as a symptom of Addison disease, a condition which affects the adrenal glands and often causes excessive pigmentation of the skin.
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