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Paradise with the Fall of Adam and Eve
new26/Jan Brueghel-346855.jpg
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Paradise_with_the_Fall_of_Adam_and_Eve
c. 1615(1615)
Medium oil on copper
Dimensions 12.7 x 19.6 cm (5 x 7.7 in)
cjr
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The Battle of Issus
new26/Jan Brueghel-364684.jpg
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The_Battle_of_Issus
1602(1602)
Medium oil on panel
Dimensions Height: 86 cm (33.9 in). Width: 135 cm (53.1 in).
cjr
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A Busy River Scene with Dutch Vessels and a Ferry
new26/Jan Brueghel-958688.jpg
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A_Busy_River_Scene_with_Dutch_Vessels_and_a_Ferry
circa 1605(1605)
Medium oil on copper
Dimensions 23.7 x 37.2 cm (9.3 x 14.6 in)
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People dancing on a river bank
new26/Jan Brueghel-956859.jpg
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People_dancing_on_a_river_bank
oil on copper
25.5 x 37.5 cm
cyf
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Landscape with boats and figures
new26/Jan Brueghel-696739.jpg
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Landscape_with_boats_and_figures
16th century-17th century
Medium oil on panel
Dimensions 27.7 X 36.5 cm
cyf
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Jan_Brueghel
1568-1625
Flemish Jan Brueghel Locations
Jan Brueghel the Elder (b. 1568, Brussels - January 13th 1625, Antwerp) was a Flemish painter, son of Pieter Brueghel the Elder and father of Jan Brueghel the Younger. Nicknamed Velvet Brueghel, Flower Brueghel, and Paradise Brueghel, of which the latter two were derived from favored subjects, while the former may refer to the velveteen sheen of his colors or to his habit of wearing velvet.
Bouquet, painted 1603. The Entry of the Animals Into Noah Ark, painted 1613.His father died in 1569, and then, following the death of his mother in 1578, Jan, along with his brother Pieter Brueghel the Younger (Hell Brueghel) and sister Marie, went to live with their grandmother Mayken Verhulst (widow of Pieter Coecke van Aelst). She was an artist in her own right, and according to Carel van Mander, possibly the first teacher of the two sons. The family moved to Antwerp sometime after 1578.
He first applied himself to painting flowers and fruits, and afterwards acquired considerable reputation by his landscapes and sea-pieces. He formed a style more independent of his father than did his brother Pieter the Younger. His early works are often landscapes containing scenes from scripture, particularly forest landscapes betraying the influence of the master forest landscape-painter Gillis van Coninxloo. Later in his career, he moved toward the painting of pure landscapes and townscapes, and, toward the end, of still lifes.
After residing long at Cologne he travelled into Italy, where his landscapes, adorned with small figures, were greatly admired. He left a large number of pictures, chiefly landscapes, which are executed with great skill.
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