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Moses schlagt Wasser aus dem Felsen
new25/Jacopo Tintoretto-334959.jpg
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Moses_schlagt_Wasser_aus_dem_Felsen
1577(1577)
Medium oil on canvas
Dimensions Deutsch: 554 X 526 cm
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The Worship of the Golden Calf
new25/Jacopo Tintoretto-675733.jpg
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The_Worship_of_the_Golden_Calf
oil on canvas
159.1 x 271.8 cm
c. 1560(1560)
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San Marco salva un saraceno durante un naufragio
new25/Jacopo Tintoretto-635765.jpg
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San_Marco_salva_un_saraceno_durante_un_naufragio
between 1562(1562) and 1566(1566)
Medium oil on canvas
Dimensions 398 X 337 cm (156.7 X 132.7 in)
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Self-portrait
new25/Jacopo Tintoretto-735647.jpg
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Self-portrait
1588
Medium oil on canvas
Dimensions 63 X 52 cm (24.8 X 20.5 in)
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Self-portrait.
new25/Jacopo Tintoretto-937863.jpg
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Self-portrait.
1588
Medium oil on canvas
Dimensions 63 X 52 cm (24.8 X 20.5 in)
cjr
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Jacopo_Tintoretto
1518-1594
Italian painter. His father was a silk dyer (tintore); hence the nickname Tintoretto ("Little Dyer"). His early influences include Michelangelo and Titian. In Christ and the Adulteress (c. 1545) figures are set in vast spaces in fanciful perspectives, in distinctly Mannerist style. In 1548 he became the centre of attention of artists and literary men in Venice with his St. Mark Freeing the Slave, so rich in structural elements of post-Michelangelo Roman art that it is surprising to learn that he had never visited Rome. By 1555 he was a famous and sought-after painter, with a style marked by quickness of execution, great vivacity of colour, a predilection for variegated perspective, and a dynamic conception of space. In his most important undertaking, the decoration of Venice's Scuola Grande di San Rocco (1564 ?C 88), he exhibited his passionate style and profound religious faith. His technique and vision were wholly personal and constantly evolving.
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