Correggio

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 Correggio Le mariage mystique de sainte Catherine d'Alexandrie avec saint Sebastien oil painting artist
 Click Image to Enlarge
     Le mariage mystique de sainte Catherine d'Alexandrie avec saint Sebastien
     new4/Correggio-786682.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $89   $99
20x24 50x60   $109   $119
24x36 60x90   $139   $159
30x40 75x100   $169 $199
36x48 90x120   $249 $249
48x72 120x180 $459 469

 

  Le_mariage_mystique_de_sainte_Catherine_d'Alexandrie_avec_saint_Sebastien
mk70 Bois H.1.05 L.1.02 Paris,Musee du Louvre

 Correggio Danae,Detail of the two cupids oil painting artist
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     Danae,Detail of the two cupids
     new4/Correggio-748372.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 

  Danae,Detail_of_the_two_cupids
mk74 Rome, Galleria Borghese

 Correggio Madonna and Child with Angels playing Musical Instruments oil painting artist
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     Madonna and Child with Angels playing Musical Instruments
     new4/Correggio-884784.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $89   $99
20x24 50x60   $109   $119
24x36 60x90   $139   $159
30x40 75x100   $169 $199
36x48 90x120   $249 $249
48x72 120x180 $459 469

 

  Madonna_and_Child_with_Angels_playing_Musical_Instruments
mk74 20x16.3cm Florence, Uffizi

 Correggio Modonna and Child with Saint Elizabeth and the Young Saint John oil painting artist
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     Modonna and Child with Saint Elizabeth and the Young Saint John
     new4/Correggio-353794.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $89   $99
20x24 50x60   $109   $119
24x36 60x90   $139   $159
30x40 75x100   $169 $199
36x48 90x120   $249 $249
48x72 120x180 $459 469

 

  Modonna_and_Child_with_Saint_Elizabeth_and_the_Young_Saint_John
mk74 77x99cm Milan, Painacoteca di Brera

 Correggio Details of Modonna and Child with Saint Elizabeth and the Young Saint John oil painting artist
 Click Image to Enlarge
     Details of Modonna and Child with Saint Elizabeth and the Young Saint John
     new4/Correggio-996554.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 

  Details_of_Modonna_and_Child_with_Saint_Elizabeth_and_the_Young_Saint_John
mk74 77x99cm Milan, Painacoteca di Brera

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     Correggio
    Italian 1489-1534 Correggio Locations Italian painter and draughtsman. Apart from his Venetian contemporaries, he was the most important northern Italian painter of the first half of the 16th century. His best-known works are the illusionistic frescoes in the domes of S Giovanni Evangelista and the cathedral in Parma, where he worked from 1520 to 1530. The combination of technical virtuosity and dramatic excitement in these works ensured their importance for later generations of artists. His altarpieces of the same period are equally original and ally intimacy of feeling with an ecstatic quality that seems to anticipate the Baroque. In his paintings of mythological subjects, especially those executed after his return to Correggio around 1530, he created images whose sensuality and abandon have been seen as foreshadowing the Rococo. Vasari wrote that Correggio was timid and virtuous, that family responsibilities made him miserly and that he died from a fever after walking in the sun. He left no letters and, apart from Vasari account, nothing is known of his character or personality beyond what can be deduced from his works. The story that he owned a manuscript of Bonaventura Berlinghieri Geographia, as well as his use of a latinized form of Allegri (Laetus), and his naming of his son after the humanist Pomponius Laetus, all suggest that he was an educated man by the standards of painters in this period. The intelligence of his paintings supports this claim. Relatively unknown in his lifetime, Correggio was to have an enormous posthumous reputation. He was revered by Federico Barocci and the Carracci, and throughout the 17th and 18th centuries his reputation rivalled that of Raphael.

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