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Altarpiece of St.Nicholas of Tolentino
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Altarpiece_of_St.Nicholas_of_Tolentino
1501
Musee du Louvre, Paris
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THE MADONNA OF THE CHAIR or Madonna della Sedia
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THE_MADONNA_OF_THE_CHAIR_or_Madonna_della_Sedia
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The Fornarina
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The_Fornarina
1516
Rome Galleria Nazionale
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John the Baptist (mk05)
new5/Raphael-356459.jpg
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John_the_Baptist_(mk05)
Canvas 53 1/4 x 56''(135 x 142 cm)Given to Louis Xiv by the Marquis de la Feuillade in 1685 given to the Church of Longpoint in 1820;reclaimed for the Louvre in 1838
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Baldassare Castiglione (mk05)
new5/Raphael-897538.jpg
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Baldassare_Castiglione_(mk05)
Before 1516 Canvas,32 1/4 x 26 1/2''(82 x 67 cm)Acquired by Louis Xiv from the heirs of Cardinal Mazarin in 1661
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Raphael
Italian High Renaissance Painter, 1483-1520
Raphael Sanzio, usually known by his first name alone (in Italian Raffaello) (April 6 or March 28, 1483 ?C April 6, 1520), was an Italian painter and architect of the High Renaissance, celebrated for the perfection and grace of his paintings and drawings. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period.
Raphael was enormously productive, running an unusually large workshop, and, despite his early death at thirty-seven, a large body of his work remains, especially in the Vatican, whose frescoed Raphael Rooms were the central, and the largest, work of his career, although unfinished at his death. After his early years in Rome, much of his work was designed by him and executed largely by the workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models.
His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (from 1504-1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates.
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