Pieter Aertsen

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 Pieter Aertsen The Vegetable Seller oil painting artist
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     The Vegetable Seller
     new25/Pieter Aertsen-355665.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 

  The_Vegetable_Seller
1567(1567) Medium oil on panel Dimensions 110 X 110 cm (43.3 X 43.3 in) cyf

 Pieter Aertsen The Adoration of the Shepherds. oil painting artist
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     The Adoration of the Shepherds.
     new25/Pieter Aertsen-766997.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 

  The_Adoration_of_the_Shepherds.
c. 1560 (1550-1570) Medium oil on panel Dimensions 89.9 X 59.2 cm (35.4 X 23.3 in) cjr

 Pieter Aertsen The Egg Dance. oil painting artist
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     The Egg Dance.
     new26/Pieter Aertsen-664988.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $89   $99
20x24 50x60   $109   $119
24x36 60x90   $139   $159
30x40 75x100   $169 $199
36x48 90x120   $249 $249
48x72 120x180 $459 469

 

  The_Egg_Dance.
1552.(1552.) Medium oil on panel. Dimensions 84 x 172 cm (33.1 x 67.7 in). cjr

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     Pieter_Aertsen
    1508-1575 Flemish Pieter Aertsen Galleries Dutch painter and draughtsman, active also in the southern Netherlands. He probably trained in his native Amsterdam but early on moved to Antwerp, where he enrolled in the Guild of St Luke as a master in 1535. In 1542 he was granted citizenship of the city. Among his pupils in Antwerp were Johannes Stradanus and later Joachim Beuckelaer, a cousin of the artist wife and his most loyal follower. The earliest known work by Aertsen is a triptych with the Crucifixion (c. 1545-6; Antwerp, Maagdenhuismus.) for the van den Biest Almshouse in Antwerp. From 1550 Aertsen development can be traced through a large number of signed and dated paintings. Religious works, mostly intended for churches, must have formed an important part of Aertsen output. His early paintings seem to have been strongly influenced by other Antwerp artists, as can be seen in the van den Biest triptych, where the figures are close to those in Jan Sanders van Hemessen background scenes. Van Hemessen influence is also strong in the pair of triptychs showing the Seven Sorrows of the Virgin and the Seven Joys of the Virgin (the latter dated 1554; both Zoutleeuw, St Leonard).

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