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Portrait of the Children of Charles I of England
new4/Anthony Van Dyck-396754.jpg
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Portrait_of_the_Children_of_Charles_I_of_England
mk68
Oil on canvas
Turin,Sabauda Gallery
1634
England
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La Vierge aux donateurs
new4/Anthony Van Dyck-477776.jpg
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La_Vierge_aux_donateurs
mk70
Toile
H.2.50
L..1.91
Paris,Musee du Louvre
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Saint Sebastien secouru par les anges
new4/Anthony Van Dyck-689526.jpg
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Saint_Sebastien_secouru_par_les_anges
mk70
Toile
H.1.98
L.1.45
Paris,Musee du Louvre
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Portrait d'un homme de qualite et d'un enfant
new4/Anthony Van Dyck-566475.jpg
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Portrait_d'un_homme_de_qualite_et_d'un_enfant
mk70
Toile
H.2.04
L.1.37
Paris,Musee du Louvre
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Frans Snyders
new4/Anthony Van Dyck-977367.jpg
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Frans_Snyders
mk76
Painted
c.1620
Oil on canvas
56 1/8x41 1/2in
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Anthony_Van_Dyck
Dutch
1599-1641
Anthony Van Dyck Locations
Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck studies in oil of characterful heads were included in Rubens estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone; and from at least the early 18th century his full-length portraits were especially prized in Genoese, British and Flemish houses, where they were appreciated as much for their own sake as for the identities and families of the sitters.
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