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The traslacion of the holy house to Loreto
new16/Giovanni Battista Tiepolo-847354.jpg
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The_traslacion_of_the_holy_house_to_Loreto
mk166
Toward
1743 I Wave on cloth
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THe Banquet of Cleopatra
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THe_Banquet_of_Cleopatra
mk170
1740-1750
Oil on canvas
46.3x66.7cm
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Saints Maximus and Oswald
new16/Giovanni Battista Tiepolo-255884.jpg
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Saints_Maximus_and_Oswald
mk170
circa 1745
Oil on canvs
58.4x32.4cm
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Adoration of the Magi
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Adoration_of_the_Magi
1753
Ol on canvas,
408 x 210 cm
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A Seated Man and a Girl with a Pitcher
new18/Giovanni Battista Tiepolo-328354.jpg
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A_Seated_Man_and_a_Girl_with_a_Pitcher
c. 1755
Oil on canvas,
160 x 54 cm
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Giovanni_Battista_Tiepolo
Italian Rococo Era Painter, 1696-1770
Giovanni Battista Tiepolo was born in Venice on March 5, 1696. His father, who was part owner of a ship, died when Tiepolo was scarcely a year old, but the family was left in comfortable circumstances. As a youth, he was apprenticed to Gregorio Lazzarini, a mediocre but fashionable painter known for his elaborately theatrical, rather grandiose compositions.
Tiepolo soon evolved a more spirited style of his own. By the time he was 20, he had exhibited his work independently, and won plaudits, at an exhibition held at the church of S. Rocco. The next year he became a member of the Fraglia, or painters guild. In 1719 he married Cecilia Guardi, whose brother Francesco was to become famous as a painter of the Venetian scene. They had nine children, among them Giovanni Domenico and Lorenzo Baldassare, who were also painters.
In the 1720s Tiepolo carried out many large-scale commissions on the northern Italian mainland. Of these the most important is the cycle of Old Testament scenes done for the patriarch of Aquileia, Daniele Dolfin, in the new Archbishop Palace at Udine. Here Tiepolo abandoned the dark hues that had characterized his early style and turned instead to the bright, sparkling colors that were to make him famous.
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