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The Deposition
new12/Fra Angelico-593877.jpg
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The_Deposition
mk156
1437-1440
Tempera on panel
176x185cm
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Noli Me Tangere
new12/Fra Angelico-746868.jpg
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Noli_Me_Tangere
mk156
1440-1441
Fresco
180x146cm
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Annunciatie
new16/Fra Angelico-278252.jpg
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Annunciatie
mk169
ca.1440-45 Fresco 187x157cm S. Marco. Florence
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The Virgin mary with the Apostles and other Saints
new16/Fra Angelico-682478.jpg
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The_Virgin_mary_with_the_Apostles_and_other_Saints
mk170
1423-1425
Tempera on poplar
32x63.5cm
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The attempted mary yrdom of ss Cosmas and damian
new18/Fra Angelico-673429.jpg
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The_attempted_mary_yrdom_of_ss_Cosmas_and_damian
mk216
this panel is part of a series of ten small scense which formed a base to the altar-piece
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Fra_Angelico
Fra Angelico Galleries
b.c. 1400, Vicchio, Florence
d.Feb. 18, 1455, Rome
Fra Angelico (c. 1395 ?C February 18, 1455), born Guido di Pietro, was an Early Italian Renaissance painter, referred to in Vasari's Lives of the Artists as having "a rare and perfect talent".
Known in Italy as il Beato Angelico, he was known to his contemporaries as Fra Giovanni da Fiesole (Brother John from Fiesole). In Giorgio Vasari's Lives of the Artists, written prior to 1555, he was already known as Fra Giovanni Angelico (Brother Giovanni the Angelic One).
Within his lifetime or shortly thereafter he was also called Il Beato (the Blessed), in reference to his skills in painting religious subjects. In 1982 Pope John Paul II conferred beatification, thereby making this title official. Fiesole is sometimes misinterpreted as being part of his formal name, but it was merely the name of the town where he took his vows, used by contemporaries to separate him from other Fra Giovannis. He is listed in the Roman Martyrology as Beatus Ioannes Faesulanus, cognomento Angelicus??"Blessed Giovanni of Fiesole, nicknamed Angelico".
Fra Angelico was working at a time when the style of painting was in a state of change. This process of change had begun a hundred years previous with the works of Giotto and several of his contemporaries, notably Giusto de' Menabuoi, both of whom had created their major works in Padua, although Giotto was trained in Florence by the great Gothic artist, Cimabue, and painted a fresco cycle of St Francis in the Bardi Chapel in Santa Croce. Giotto had many enthusiastic followers, who imitated his style in fresco, some of them, notably the Lorenzetti, achieving great success.
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