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the brown boy
new20/Sir Joshua Reynolds-677756.jpg
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the_brown_boy
mk247
1764,oil on canvas,91x58.125 in,231x147.5 cm,bradford art galleries and museums,uk
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mrs.siddons as the tragic muse
new20/Sir Joshua Reynolds-896899.jpg
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mrs.siddons_as_the_tragic_muse
mk247
1789,oil on canvas,94.375x58.125 in,239.5x147.5 cm,dulwich picture gallery,london,uk
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nelly obrien
new22/Sir Joshua Reynolds-977446.jpg
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nelly_obrien
1763
london the wallace collection
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British general
new23/Sir Joshua Reynolds-833698.jpg
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British_general
Technique Oil
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BurgoyneByReynolds
new23/Sir Joshua Reynolds-545357.jpg
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BurgoyneByReynolds
Source From the Frick Museum.
Accession number: 1943.1.149
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Sir_Joshua_Reynolds
British
1723-1792
Sir Joshua Reynolds Locations
Reynolds was born in Plympton, Devon, on 16 July 1723. As one of eleven children, and the son of the village school-master, Reynolds was restricted to a formal education provided by his father. He exhibited a natural curiosity and, as a boy, came under the influence of Zachariah Mudge, whose Platonistic philosophy stayed with him all his life.
Showing an early interest in art, Reynolds was apprenticed in 1740 to the fashionable portrait painter Thomas Hudson, with whom he remained until 1743. From 1749 to 1752, he spent over two years in Italy, where he studied the Old Masters and acquired a taste for the "Grand Style". Unfortunately, whilst in Rome, Reynolds suffered a severe cold which left him partially deaf and, as a result, he began to carry a small ear trumpet with which he is often pictured. From 1753 until the end of his life he lived in London, his talents gaining recognition soon after his arrival in France.
Reynolds worked long hours in his studio, rarely taking a holiday. He was both gregarious and keenly intellectual, with a great number of friends from London's intelligentsia, numbered amongst whom were Dr Samuel Johnson, Oliver Goldsmith, Edmund Burke, Giuseppe Baretti, Henry Thrale, David Garrick and fellow artist Angelica Kauffmann. Because of his popularity as a portrait painter, Reynolds enjoyed constant interaction with the wealthy and famous men and women of the day, and it was he who first brought together the famous figures of "The" Club.
With his rival Thomas Gainsborough, Reynolds was the dominant English portraitist of 'the Age of Johnson'. It is said that in his long life he painted as many as three thousand portraits. In 1789 he lost the sight of his left eye, which finally forced him into retirement. In 1791 James Boswell dedicated his Life of Samuel Johnson to Reynolds.
Reynolds died on 23 February 1792 in his house in Leicester Fields, London. He is buried in St. Paul's Cathedral.
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