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Betrothal of the Virgin
new11/Francisco Goya-228476.jpg
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Betrothal_of_the_Virgin
mk132
1774
Oil on plaster
306x790cm
Aula Dei,Saragossa.
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Crucified Christ
new11/Francisco Goya-387266.jpg
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Crucified_Christ
mk132
1780
Oil on canvas
253x153cm
Museo del Prado
Madrid
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St Bernardino of Siena preaching before Alfonso V of Aragon
new11/Francisco Goya-724464.jpg
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St_Bernardino_of_Siena_preaching_before_Alfonso_V_of_Aragon
mk132
1781-83
Oil on canvas
480x300cm
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Miracle of St Anthony of Padua
new11/Francisco Goya-995364.jpg
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Miracle_of_St_Anthony_of_Padua
mk132
1798
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No title
new11/Francisco Goya-364234.jpg
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No_title
mk132
Oil on canvas
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Francisco_Goya
1746-1828
Goya is considered the 18th Century's foremost painter and etcher of Spanish culture, known for his realistic scenes of battles, bullfights and human corruption. Goya lived during a time of upheaval in Spain that included war with France, the Inquisition, the rule of Napoleon's brother, Joseph, as the King of Spain and, finally, the reign of the Spanish King Ferdinand VII. Experts proclaim these events -- and Goya's deafness as a result of an illness in 1793 -- as central to understanding Goya's work, which frequently depicts human misery in a satiric and sometimes nightmarish fashion. From the 1770s he was a royal court painter for Charles III and Charles IV, and when Bonaparte took the throne in 1809, Goya swore fealty to the new king. When the crown was restored to Spain's Ferdinand VII (1814), Goya, in spite of his earlier allegiance to the French king, was reinstated as royal painter. After 1824 he lived in self-imposed exile in Bordeaux until his death, reportedly because of political differences with Ferdinand. Over his long career he created hundreds of paintings, etchings, and lithographs, among them Maya Clothed and Maya Nude (1798-1800); Caprichos (1799-82); The Second of May 1808 and The Third of May 1808 (1814); Disasters of War (1810-20); and The Black Paintings (1820-23).
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