John Constable

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 John Constable A storm off the coast of Brighton oil painting artist
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     A storm off the coast of Brighton
     new9/John Constable-757526.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
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  A_storm_off_the_coast_of_Brighton
mk82 1824

 John Constable Landscape with goatherd and goats oil painting artist
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     Landscape with goatherd and goats
     new9/John Constable-527992.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
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36x48 90x120   $209 $209
48x72 120x180 $389 399

 

  Landscape_with_goatherd_and_goats
mk82 after Claude 1823

 John Constable Road to The Spaniards oil painting artist
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     Road to The Spaniards
     new9/John Constable-234328.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
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24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 

  Road_to_The_Spaniards
mk82

 John Constable Keswick,Lake oil painting artist
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     Keswick,Lake
     new9/John Constable-972735.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 

  Keswick,Lake
mk82 c.1807

 John Constable Windermere oil painting artist
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     Windermere
     new9/John Constable-578529.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 

  Windermere
mk82 1806

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     John_Constable
    1776-1837 British John Constable Locations 1837). English painter and draughtsman. His range and aspirations were less extensive than those of his contemporary J. M. W. Turner, but these two artists have traditionally been linked as the giants of early 19th-century British landscape painting and isolated from the many other artists practising landscape at a time when it was unprecedentedly popular. Constable has often been defined as the great naturalist and deliberately presented himself thus in his correspondence, although his stylistic variety indicates an instability in his perception of what constituted nature. He has also been characterized as having painted only the places he knew intimately, which other artists tended to pass by. While the exclusivity of Constable approach is indisputable, his concern with local scenery was not unique, being shared by the contemporary Norwich artists. By beginning to sketch in oil from nature seriously in 1808, he also conformed with the practice of artists such as Thomas Christopher Hofland (1777-1843), William Alfred Delamotte, Turner and, particularly, the pupils of John Linnell. Turner shared his commitment to establishing landscape as the equal of history painting, despite widespread disbelief in this notion. Nevertheless, although Constable was less singular than he might have liked people to believe, his single-mindedness in portraying so limited a range of sites was unique, and the brilliance of his oil sketching unprecedented, while none of his contemporaries was producing pictures resembling The Haywain (1821; London, N.G.) or the Leaping Horse (1825; London, RA). This very singularity was characteristic of British artists at a time when members of most occupations were stressing their individuality in the context of a rapidly developing capitalist economy

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