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Portrait of Lady Elizabeth Conyngham
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Portrait_of_Lady_Elizabeth_Conyngham
Date between 1821(1821) and 1824(1824)
Medium Oil on canvas
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Portrait of Mary Palmer, Countess of Inchiquin
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Portrait_of_Mary_Palmer,_Countess_of_Inchiquin
Date ca. 1790(1790)
Medium Oil on canvas
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George III of the United Kingdom
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George_III_of_the_United_Kingdom
Date 1792
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Portrait of Lady Elizabeth Leveson-Gower, later Marchioness of Westminster, wife of the 2nd Marquess of Westminster
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Portrait_of_Lady_Elizabeth_Leveson-Gower,_later_Marchioness_of_Westminster,_wife_of_the_2nd_Marquess_of_Westminster
Date 1816(1816)
Medium Oil on canvas
Dimensions 76 x 63 cm (29.9 x 24.8 in)
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Portrait of Frederick H
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Portrait_of_Frederick_H
. 1824 - 25, oil on canvas painting by Thomas Lawrence, Kimbell Art Museum
Date c. 1824 - 25
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Sir_Thomas_Lawrence
1769-1830
British
Sir Thomas Lawrence Galleries
was a notable English painter, mostly of portraits.
He was born in Bristol. His father was an innkeeper, first at Bristol and afterwards at Devizes, and at the age of six Lawrence was already being shown off to the guests of the Bear as an infant prodigy who could sketch their likenesses and declaim speeches from Milton. In 1779 the elder Lawrence had to leave Devizes, having failed in business and Thomas's precocious talent began to be the main source of the family's income; he had gained a reputation along the Bath road. His debut as a crayon portrait painter was made at Oxford, where he was well patronized, and in 1782 the family settled in Bath, where the young artist soon found himself fully employed in taking crayon likenesses of fashionable people at a guinea or a guinea and a half a head. In 1784 he gained the prize and silver-gilt palette of the Society of Arts for a crayon drawing after Raphael's "Transfiguration," and presently beginning to paint in oil.
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